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Posts Tagged ‘folk’

Interview with Ben Lovett of Mumford & Sons

October 21st, 2010 patrick 1 comment

What would you say your major influences are?
A whole bunch of different things because we are all song writers and we all listen to different things so there are like 4 bunches of things. I grew up playing jazz quite a lot. Ted grew up as a blues guitarist. No one likes to play the banjo in London and he wanted to get into a band so he figured he might as well play the banjo. It kind of fit because everyone was playing acoustic instruments at the time. Anyway, we love touring with bands that inspire us. Like on this tour we have got Mt. Desolation and King Charles who are London bands. And this Nashville band called Cadillac Sky and they are like blazing bluegrass and we saw them like a year ago and they kind of just blew our minds so we were like, “Do you want to go on tour with us?” We get to watch it every night so it just inspires us.

Is that how it works, you choose who goes on tour with you?
Yeah and we spend ages on it. I’m not sure how many bands labor over it as much as we do. We feel like at the beginning people gave us opportunities as a band. We were here in LA in 2008 supporting Johnny Flynn and Ramon who are friends from London, and they kindly gave us like a 15 minute set at a hotel café. Now we want to return the favor and put on a good show for everyone who buys tickets. We understand tickets are expensive and we want you to enjoy a whole night of music.

How did you guys all meet and come together as a band?
Marcus and I met when we were 8 years old and went to school until we were 17, started playing music at 12. We met Winston when we were 17. He was friends of friends. Marcus met Ted through a singer songwriter in London, called Adam Pownall, they were his backing band, did one gig and both got fired. Luckily I think we all got fired at one point or another and just became a reject band. Then we just wrote 4 or 5 songs together went on the road in 2007 and have been on the road since then.

When you are writing songs would you say that you’re writing them so people can relate to them or is it a cathartic experience or something else all together?
No we never try to write them so people can relate. There’s a thing about lyrics; you want them to be accessible. We write the music because we have to; we’re not trying to create something. We realized a couple years ago that we had nothing else to do with our lives but this. It’s like in our blood to do this. Music is a way of expressing what we have to say. I’m really not that good with words so it has to be music. Interviews are always a nightmare.

What do you guys listen to before you play?
Last tour, Frank Sinatra, but normally it’s the Maccabees and Arcade Fire just to rev us up.

Do you have suggestions of what you’re listening too that we and our listeners would enjoy?
I would say Matthew and the Atlas. I have a record label in the UK and we have released a couple of records with him. Alessi’s Ark. Winston and I used to play for the girl Alessi. She is amazing; her voice is incredible; she started when she was 16 and she’s 19 now. She’s the real deal. She did an album in the UK and recorded it with Bright Eyes. We also put a lot of effort into our top friends on MySpace. If anyone wanted to get our musical recommendations, it’s all on there.

Are you guys working on stuff now while you’re still touring or do you wait until your tour is over to write more music?
We only write on the road. Yeah we’re not really a studio band. So we’ve been gigging songs in venues like this that we haven’t even finished writing yet. Like we were just writing a song in sound check just now and we will just play it. Even if it’s not yet finished. Then it is road tested. We road tested the whole first album before we even recorded it. “After the Storm”, we were on tour for a year before we recorded it. We did 5 UK tours without an album and not thinking we would even making an album, just because we love touring so much. Then the album became the best set list we could put together.

We’re fans of Vincent Moon’s work with La Blogotheque, how did you arrange your video with him? Did he approach you?
Yeah we have known Vincent for a while. And he’s been asking to put something together with us. Videos like that are all really good, but of those types of videos I think he is the best. The Beirut album that he did in sequence is just awesome. We didn’t really want to just half do it, but when it got to it, it ended up being really rushed. We came up with the idea about ten minutes before we filmed it. It was just like we walked down the street and it came together when we were performing in that ally. The woman just like opened up her window and someone asked if she minded guests, then we just went in. I think we interrupted her washing.

What is like going from being friends in a band to being an international sensation?
We try not to notice. It isn’t really making a difference. We never read our own press. We never listen to the radio. We keep our heads down. Our most obscure moment, when we feel like things are so crazy, is when we lift our heads up as we’re walking on stage. We did so many festivals this summer and some of those crowds were incredible. The volume when they were singing was incredible. But off stage, none of us have been affected. I hope that when we take a few months off after this tour it doesn’t get to our heads and change our music. Our music came from a straight up place. It shouldn’t be corrupted by anything that has happened from its inception on. We don’t want to get to a place where our honest place is only us talking about how great everything is. People don’t want to hear that.

What’s your favorite part of America?
I love how direct the people are. I think you underestimate how many people will look you in the eyes. If you go to Europe people seem to be less open, more coy. It’s a sober lack of inhabitation. Probably staying sober for a little longer has given Americans better social skills. It sounds funny but in London we started drinking and going out at like 12 or 13, but here you guys wait until you’re like 17 or 18 I think, right?

-Haley Earl-Lynn & Kristiana Lehn

Rocky Votolato’s “True Devotion” to Expectations

March 26th, 2010 kperry No comments

I think it must say somewhere that with a name like Rocky you must devote some of your time to folk music. That is what I feel Rocky Votolato has done with his 2010 release, True Devotion. He has created the music he felt he had to produce, rather than produce songs that are original with stimulating lyrics.

Votolato proves that he is a practiced, skillful musician, as the guitar mixes with harmonica and his warm vocal tone. But the songs themselves, in structure and in lyrics, lack what Votolato clearly has with his instruments. Though I cannot say this album is not enjoyable, there are no standout pieces in my mind. The album is merely pleasant and present. I could imagine an afternoon of making tea and cuddling with man or pet to this album, but I would like some adventure too – lyrics that make me think and songs that make me want to see what is next for the artist. Maybe Votolato will save that for his next release, or at least I hope he can showcase his talent in a more original and stimulating way.

- Kelsey Perry

Rocky Votolato

“Sparklers”

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Pantha Du Prince’s “Black Noise”

February 4th, 2010 patrick 3 comments

Pantha Du Prince's album, "Black Noise," fuses folk and techno.

When I came across Pantha Du Prince’s new album, Black Noise, I almost immediately jumped to the assumption that it was “just another techno album.” I mean, sure, I dabble in techno occasionally, but it’s not exactly what you would call my bag. That’s when Pantha Du Prince slapped me across the face and declared, “DON’T TRY TO CLASSIFY ME!” Black Noise, in reality, is more like a glorious fusion of folk and techno.

Since I was new to Pantha Du Prince’s music, I did a little research and discovered the dark conception of Black Noise. The album was inspired by the tragedy of a small village in the Swiss Alps that was destroyed by a landslide, which Hendrik Weber (a.k.a. Pantha du Prince) saw the remains of first hand. The message of this album is that “beauty is possible even after the disaster.”

The album kicks off with “Lay in a Shimmer,” a pleasant tune that utilizes chimes. These same chimes are a staple instrument throughout the album, which gave it an ambient quality.  The next few songs, “Abglanz,” “The Splendour” and “Stick to my Side”(the latter with lyrics sung by Animal Collective’s Noah Lennox), all work together to slowly build up to the more powerful section of the album.

The next songs, “A Nomad’s Retreat,” “Satellite Snyper” and “Behind the Stars,” are hands down my favorite part of the album. These tracks stack beats upon beats, and just as you think you will lose interest, Weber drops the beats together like a master Tetris player.

The last four songs of the album (“Bohemian Forest,” “Welt am Draht,” “Im Bann” and “Es Schneit”) express a sort of beautiful serenity that I would never have expected from an electronic album. The listener is left with the feeling that, I imagine, would be similar to what one feels after witnessing a grand natural disaster, but not the typical feelings of fear or sadness. They’re more like feelings of awe and respect for the grandeur you’ve just encountered.  Needless to say, Pantha du Prince can add one more to his fanbase after today. The fact is that labels cannot tack down this genre-bending album. It must be confronted and interpreted personally.

Below are some samples from the album, and if you become smitten, no worries, the album will be released Feb. 9.

“A Nomad’s Retreat”

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“Satellite Snyper”

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Pantha du Prince

“Spicy Chef/Kruse Radio” April 20th by Tony Bredehoeft & Joe Kruse

April 25th, 2009 nick No comments

band-of-horses1
“Islands on the Coast” Band of Horses
“Let’s Stay Together” Al Green
“A Place in Line” Appleseed Cast
“Blue Ridge Mountains” Fleet Foxes
“Big Sur” The Thrills
“Rockin Down By the Highway” The Doobie Brothers

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“Rooftop Soliloquy” April 20th by Nick Peterson

April 20th, 2009 nick No comments


“Crayon Angels (Judee Sills cover)” Fleet Foxes
“Old Man” Neil Young
“Alabaster” Rocky Votolato
“Seaside” The Kooks
“Welcome Home” Radical Face
“In My Room” Albert Hammond Jr.

While touring for the “Fleet Foxes” debut LP, Robin Pecknold always performed Judee Sills song “Crayon Angels”, which lead into “Oliver James”. Here’s a beautiful (albeit low-quality) version from a show in London. Ben Cooper recorded in a tin shed in his backyard to create what would become Radical Face. “Welcome Home” is a stellar track to taste.  And the harmonica hits on “Alabaster” are too good to pass up.
Enjoy

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“Rooftop Soliloquy” April 9th by Nick Peterson

April 9th, 2009 nick No comments

“King of Carrot Flowers (pt. 1)” Neutral Milk Hotel
“Obstacle 1″ Interpol
“Flume” Bon Iver
“The Funeral” Band of Horses
“The Gloaming (Live in the Basement)” Radiohead
“West Coast” Coconut Records
“Lost Cause” Beck

Basement version of The Gloaming is ridiculous. +10 Awesome points Mike Sinodis…
Plus everyone needs a daily dose of Band of Horses. And is there anyone who doesn’t like Bon Iver? I haven’t actually met that person yet.
In case the story wasn’t good enough yet, he’s going back to play a benefit concert for the jazz band at his high school (http://www.memorial.ecasd.k12.wi.us/). So they’ll have cash to travel to NY for a festival.
+230 Karma Points Justin Vernon

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“Nebo Records” March 23rd by Nick Peterson

March 23rd, 2009 nick No comments

"Welcome to Nelson" EP By Peter Nixon

2001 brought me an old, electric guitar with broken pickups. I traded Robert Millsap a black and white computer monitor for it. That was the second best trade of my life–haulin in a 6 oz. slammer on the Meadow Ridge Elementary playground was #1, but that’s another story. After that trade though, a decade long love affair was born between the six stringed, fine neck and I. I’ve been writing and playing since. The “Welcome to Nelson” EP was written in the woods of Northeastern, Washington in 2008–where I was born and raised. It’s one of the last sacred places on this rock.
If you like it, you can download the full album for
free, Free, FREE Right Here

And you can check out my record label project, Nebo Records
Right here

Thanks, Enjoy

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much love,
pnix

“Rooftop Soliloquy” March 23rd by Nick Peterson

March 23rd, 2009 nick 2 comments

“Young Bride” Midlake
“Gin and Juice (Remix)” The Gourds
“Neighborhoods #1″ The Arcade Fire
“Fire It Up” Modest Mouse
“Glosoli” Sigur Ros
“Stability” Death Cab For Cutie

My fave on this one is the country remix of “Gin and Juice”. Snoop, but improved.
Plus “Stability” is an epic closer to any night.

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“Folk is No Joke” March 23rd by Drew Howard

March 23rd, 2009 guest No comments

“Maria” Animal Liberation Orchestra
“Pretty Girl from San Diego” Avett Brothers
“Sweet Pea” Amos Lee
“Lilikoi” Paula Fuga “
“Pura Vida” Braddigan
“Pirate Looks at 40” Jack Johnson
“Starting 5” Dios (Malos)
“Wagin Wheel” Old Crow Medicine Show
“Meaningless Conversation” Princes of babylon
“Rainbow” Jack Johnson & G Love

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