December 30, 2011

Festival Preview: SnowGlobe, South Lake Tahoe Dec. 29-31

SnowGlobe_2011

The SnowGlobe Music Festival is set to take place in South Lake Tahoe on December 29th-31st. The event features a stacked lineup full of EDM and hip hop acts, including some big time headliners.

Picking a destination for this year’s New Years Eve is a no brainer. Some very smart people have realized the unbeatable combination of snowboarding, electronica music + hip hop, and north America’s deepest alpine lake. Yes, I’m talking about Lake Tahoe, and yes I’m taking about the much hyped SnowGlobe festival that is proving to be more of the most talked about New Years Eve event of the year.

The event will take place over three days in one of the west coast’s preeminent NYE destinations. Tahoe has been a favorite destination for people looking for some snow and SnowGlobe’s stellar lineup includes a hodgepodge of topflight electronica and hip hop acts.

Acts to watch:

 

 

 

 

 

 

 

 

 

 

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Show Preview: Digitalism at Belly Up, 12/12

Digitalism will be performing at The Belly Up Tavern in Solana Beach on December 12th, 2011. Tickets are $18 and can be purchased from the venue’s official website.

German DJ duo Digitalism is coming back to San Diego for a live performance at the infamous Belly Up Tavern in Solana Beach on Decemeber 12th. So Cal got a taste of the act’s new material this past summer at the HARD Summer festival in Los Angeles, but this will be their first appearance in the San Diego area since an early 2010 performance at Voyeur.

Digitalism has been getting party people around the world excited with a new full length entitled I Love You Dude, featuring the infectious single “Forrest Gump”, which was co-written by The Strokes’ Julian Cassablanca. Digitalism has made a name for themselves with a unique blend of electro-alternative-indie-dance music that combines sincere storytelling lyrical craftsmanship with the excitement and vigor of electronica rhythms.

The two-piece production team comprised of Jens “Jence” Moelle and Ismail “Isi” Tüfekçi has been generating significant buzz for a few years now.  The duo was formed in Hamburg in 2004 and has been making music and playing shows pretty much nonstop ever since. Digitalism burst onto the scene in the U.S. in 2008 when their single “Pogo” was featured in the popular FIFA video game.

The show at Belly Up will undoubtably erupt into a high energy dance party, as the duo will be performing a live set which means some live instrumentation will be added into the mix.

The concert will feature an opening set from Data Romance. Doors are at 8pm, and tickets are $18 in advance.

BUY TICKETS

Digitalism’s “Circles” (Dillion Francis Remix)

Contest: Bassnectar and Thievery Corporation Ticket Giveaways

USD Radio’s “Back to School” concert ticket giveaways have begun! One lucky winner will be randomly selected to win a pair of tickets to the Thievery Corporation performance at the House of Blues, September 8th.
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The fun doesn’t stop there though, as another randomly selected winner will receive a pair of tickets to Bassnectar’s performance at RIMAC Arena (UCSD) on September 10th!
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To enter, check out the “USD Student Radio” page on Facebook, and write a comment below the posts. Remember to “Like” our Facebook page, and stay tuned for more fun giveaways!
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Thanks for entering.
Love,
USD Radio


Show Review: Donovan Frankenreiter at Belly Up

USD Radio caught the Donovan Frankenreiter show on Tuesday 6/21, at The Belly Up Tavern in Solana Beach.  Frankenreiter and his band rocked the sold-out crowd through an hour long set.

By: Chuck Cartwright

I first started listening to Donovan Frankenreiter when I was 15.  My aunt took me to the Jack Johnson concert at the Greek Theater in Berkley as a birthday present, because she knew one of the guys on Jack’s production team.  Frankenreiter was a part of Brushire Records at the time, and therefore he had an opening slot on the tour.  I didn’t know much about him, but he put on a great show and I bought his self-titled album.  After the show I had the chance to meet Frankenreiter, and he signed the CD I bought with the words “Stay Free”, next to his signature.

Fast forward almost seven years and I’m in a sold out Belly Up Tavern in Solana Beach on a Tuesday night.  My friend and I got there in just enough time to catch a few minutes of the Seth Pretyman’s set.  The venue was full of good vibes–either that or everyone had been drinking for a while–never a scenario completely out of the question in Solana Beach.  Then Frankenreiter took the stage, with a four piece band in tow, all wearing (somewhat) matching hats.

As the first few notes became audible from Frankenreiter’s guitar, the band kicked in and the show was underway.  Laid back acoustic surf folk was on the night’s agenda, as the band progressed through a number of old classics.  At times they would break out into longer interludes of instrumental jams; pepperd with trumpet bursts and blusey keyboard slides.  Donovan maintained a pretty even keel throughout the set, navigating each of his songs like a true veteran.  He has an uncanny ability to get people moving, by implementing an infectiously laid back vibe.  He even got the Solana Beach crowd moving a little bit with his classic sing-along choruses.

The show got off to a hot start, as Donovan flipped through the highlights of his catalog in a little over an hour.  A one song encore entailed the classic Jack Johnson duet, “Free”, as the lyrics washed over the crowd with ease.  It almost felt like I was on vacation rather than chilling at the Belly Up on a Tuesday night, but maybe that was the point.  It was a summertime party that could not be beat.

Almost 7 years since I last caught a Donovan Frankenreiter show, and it seems little has changed with the journmen songsmith.  As the rest of the world has continued to change, Donovan has more or less stayed on the road, with his guitar and surfboard in hand, maintaining the “Stay Free” mantra the whole way through.

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JULY 08, 2011
Montreux Jazz Festival – Miles Davis Hall - MONTREUX, SWITZERLAND 

JULY 10, 2011
Blue Ocean Music Hall - SALISBURY BEACH, MA 

JULY 11, 2011
The Chicken Box – TWO NIGHTS! - NANTUCKET, MA 

JULY 12, 2011
The Chicken Box – TWO NIGHTS! - NANTUCKET, MA 

JULY 13, 2011
The Beachcomber – TWO NIGHTS! - WELLFLEET, MA 

JULY 14, 2011
The Beachcomber – TWO NIGHTS! - WELLFLEET, MA 

JULY 15, 2011
StageOne - FAIRFIELD, CT 

JULY 16, 2011
Surf Lodge – *FREE SHOW* - MONTAUK, NY 

JULY 17, 2011
Stephen Talkhouse - AMAGANSETT, NY 

JULY 18, 2011
Brooklyn Bowl - BROOKLYN, NY 

JULY 19, 2011
Bowery Ballroom - NEW YORK, NY 

JULY 20, 2011
Seacrets - OCEAN CITY, MD 

JULY 21, 2011
Bottle & Cork - DEWEY BEACH, DE 

JULY 22, 2011
Stone Pony - ASBURY PARK, NJ 

JULY 23, 2011
World Cafe Live at the Queen - WILMINGTON, DE 

JULY 24, 2011
Greenfield Lake Amphitheater - WILMINGTON, NC 

JULY 25, 2011
The Windjammer – TWO NIGHTS! - ISLE OF PALMS, SC 

JULY 26, 2011
The Windjammer – TWO NIGHTS! - ISLE OF PALMS, SC 

JULY 27, 2011
Plaza Theatre - ORLANDO, FL 

JULY 28, 2011
Culture Room - FT. LAUDERDALE, FL 

JULY 29, 2011
Jannus Landing - ST. PETERSBURG, FL 

JULY 30, 2011
Freebird Live – TWO NIGHTS! - JACKSONVILLE BEACH, FL 

JULY 31, 2011
Freebird Live – TWO NIGHTS! - JACKSONVILLE BEACH, FL 

AUGUST 28, 2011
Open Sky Music Festival - EDMONTON, AL CANADA 

SEPTEMBER 10, 2011
Doheny Days Music Festival - DANA POINT, CA 

SEPTEMBER 13, 2011
Paradiso - AMSTERDAM, THE NETHERLANDS 

SEPTEMBER 14, 2011
La Maroquinerie - PARIS, FRANCE 

SEPTEMBER 17, 2011
Groundswell Festival 2011 - ANGRESSE, FRANCE 

SEPTEMBER 18, 2011
Leffingeleuren Festival - LEFFINGE, BELGIUM 

SEPTEMBER 20, 2011
Kaufleuten - ZURICH, SWITZERLAND 

SEPTEMBER 21, 2011
Bierhübeli - BERN, SWITZERLAND
SEPTEMBER 22, 2011
Arena Wien - WIEN, AUSTRIA 

DECEMBER 31, 2011
La De Da Festival - MARTINBOROUGH, NEW ZEALAND

Festival: Lightning In A Bottle

 

Pretty Lights- www.lightninginabottle.org

USD Radio had the great pleasure of covering the Lightning In A Bottle festival in Silverado, CA, over Memorial Day weekend, May 27th-30th.  This Do Lab production featured Pretty Lights, MiMOSA, Thievery Corporation, Beats Antique, yoga, workshops, art installations and infinitely more.

By: Chuck Cartwright

The Do Lab laid the vibe on thick.  Or maybe it was the over twelve thousand people who came out from all corners of society to partake in the festival of life and love.  One could never be sure how many countries or cultures were represented at Lightning In A Bottle, but the world town was indeed out in full force to experience the amazing.

Lightning In A Bottle was the festival incarnation of the infamous LA based Do Lab collective.  You may be familiar with The Do Lab from their perennial hydro-infused, dub step fueled oasis at Coachella (USD Radio spoke with cofounder Jesse Flemming prior to the festival). However  Lighting In A Bottle was nothing like Coachella.

The event took place only an hour and a half away from San Diego; not far from the suburban strip mall wasteland of Tustin, but far enough to be safely within the confines of the Oak Valley Ranch.  Festival goers were transported from their cars to the campgrounds in a innovative hay truck valet.

The camping wasn’t divided into meticulously marked parcels, in a neat grid.  It was a land grab reminiscent of the 1849 gold rush, with a tent city hippie slum paradise created in merely hours.  Large sprawling makeshift compounds and small individual tents were arranged in a spontaneous hodgepodge of mayhem.  After attendees settled in, it was straight to the festival.

No airport-like security, no brash security guards wearing visually abrasive yellow shirts–in fact there were none of the cumbersome regulations that have come to characterize most large-scale events in the U.S.  Folks were permitted to bring in cocktails, snacks, hoola hoops, stilts, bikes, or whatever else they pleased.  It was like our world of bureaucratic regulation and so-called safety precautions never even existed.

Though the whole festival was phenomenal and unlike anything else (it has been referred to as Burning Man’s younger/tamer So Cal cousin), a few artists’ sets stood out above the rest.

MiMoSA’s performance set the festival off on Friday night with his distinct blend of heavy bass dubstep peppered with classic hip hip verses.  The crowd was excited with fresh legs ready to dance, as MiMOSA was the first night’s headliner.  He dutifully orchestrated the whomping well into the wee hours.

Beats Antique was a huge surprise.  Choreographed free drums, and graceful belly dancing brought the world music to life.  Then things got weird when performance art troupe Lucient Dossier entered the equation with plush animal head masks and a meticulously practiced dance routine.  Overall the performance was an overwhelmingly captivating production, complimented by fantastic music.

USD Radio favorite, Pretty Lights didn’t disappoint.  Although lacking his performance drummer, the set impressed with a mix of old and new material complimented by an amazing LED light display.  Part way through his set, during an extended version of the classic “Finally Moving”, dew-like rain began to fall–the natural and artificial environments collided creating an unforgettable ambiance. He even debuted a new remix.

The festival brought together a menagerie of subcultures; vibrant costumes and nice people from every place imaginable.  There were art installations and performance art pieces galore, with amazing ambient lighting adding to the expertly crafted dreamlike environments.  The event never slept, as music played virtually 24/7 with booming variations of dubstep playing throughout the weekend.  It was like a hippie’s Ibiza–some sort of escapist utopia where no one held anyone else to any expectations.  There were people of all ages and backgrounds.  One didn’t have to be anyone, but one could also be anything they chose to be.  It was a refreshing freedom, removed from the hustle and bustle of southern California.  Once word from this year’s festival spreads, the event will only grow, as I’m sure everyone who attended this year will return.

Photo by Caesar Sebastian

Fleet Foxes, listening party @ M-Theory Music

Fleet Foxes, "Helplessness Blues"

Stop by M-Theory Music in North Park tomorrow (5/3) to pick up a sweet limited edition copy of Seattle folk favorites, Fleet Foxes new album.  The LP, “Helplessness Blues” streets tomorrow, and M-Theory has the swag courtesy of Sub Pop Records!

Swag Includes:

  • Vinyl LP copy of “Helplessness Blues” – limited edition of 100, white vinyl. This is NOT for sale anywhere, and was pressed     by Sub Pop and strictly limited for these events ONLY. Highly collectable.
  • Limited edition silkscreened posters – 19’x25” heavy stock paper (sweet)
  • Sub Pop “prize pack” with miscellaneous Sub Pop items for giveaway

And on top of all of that, there will be free pizza from North Park (and Yelp) favorite, Lefty’s!

So come hang out and support your local independent record store.  Check out the Facebook event for further details.

Olé Music Festival at USD, May 5th

Ole Music Festival at USD, 5/5

Support USD Associated Students, and don’t miss the second annual, Olé Music Festival in the JCP this Thursday, May 5th!  The lineup features Taking Back Sunday, and Mike Posner.

Taking Back Sunday has been a mainstay in the American rock landscape since 1999.  They’ve released 4 studio albums and caught fire in 2006 with their single, Make Damn Sure.  They’re set to release a new album via Warner Brothers Records on June 28th.

Mike Posner is a newcomer to the radio pop landscape, who started making music in his dorm room at Duke University.  His smash single “Cooler Than Me“, blew up last summer, and Posner has been on the road and in high demand ever since!

Here’s the event details:

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Tickets:

-Public: $30

-Students: $15

Tickets available at:
-Jenny Craig Pavilion box office: (619) 260-7550
-Online at Tickets.com

-Tickets for USD Undergraduates can be purchased at the UC & JCP box offices from 9am-5pm.

(Facebook event page)
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And best of all, the show ends at 10 PM, so you can still rage afterwards with your amigos for Cinco de Mayo!

See you there..

Interview: Jesse Flemming, co-creator of The Do Lab and Lightning In A Bottle

 

Lightning In A Bottle, photo cred: Skye von der Osten

USD Radio spoke with Jesse Flemming, one of the creators of the infamous Do Lab collective.  They discussed Coachella, Lightning In A Bottle, sustainability, and music.  Be sure to check out The Do Lab’s music festival incarnation, Lightning In A Bottle, May 27-30th in Silverado, CA.

By: Chuck Cartwright

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Chuck Cartwright: How was Coachella?

Jesse Flemming: Coachella was awesome–it was a great  experience

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CC: Has it kind of just gotten bigger and better every year?

JF: It has definitely gotten bigger and better, this year we actually built three art installations inside the festival as             opposed to just one.  I don’t know, we really can’t help ourselves building things bigger each year.  It’s stuff that’s     pretty difficult to do but somehow we pull it off.

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CC: Awesome, I know Coachella has introduced many people, including myself, to The Do Lab.  What exactly is The Do Lab at its roots?

JF: At its roots, The Do Lab is a collective of artists; of friends and family, and of poeple with like-minded beliefs.  We really like to create amazing experiences for people through art, music, and community.

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CC: Speaking of music, how do you guys decide on/find the artists you book?

JF: We’ve just been around this scene for the past couple years–some people call it the West Coast Bass scene.  It all kind of grew out of Burning Man–there are just so many amazing electronica artists.  A lot of them are friends, and it has just grown into this network that we are connected to.

Our goal as a festival is not to be like Coachella or a lot of the other big festivals who book the biggest, most popular acts in the world.  We’re really trying to show people this whole scene that has grown right here at home on the West Coast.  We always just choose the artists based on who we like the most.

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CC: So would it be fair to say that Lightning In A Bottle is a culmination of everything that The Do Lab has been doing for the past couple of years, manifested into its own festival?

JF: Absolutely! LIB is a blank canvas and we can paint the picture any way we want to.  For us, we are trying to create the next generation of music festivals.  We’ve been going to festivals since we were little kids, and now we are really just trying to bring something unique to the table–education, workshops, yoga, art.

2011 Lightning In A Bottle official lineup

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CC:  Do you forsee a problem in the future with maintaining Lightning In A Bottle’s credibility, along with the core values of The Do Lab as the festival gets larger and increases in popularity?

JF: I don’t think so–there are a lot similar events popping up, and we we’re happy about that.  It’s really a community thing, where it’s about bringing people together.  Yeah there’s great music, great art, and tons of things to do, but in the end, people walk away with tons of new friends and relationships.  It’s pretty amazing–it’s all about the people.

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CC: So how many folks are you anticipating for this year’s festival?

JF: I think there will be somewhere between eight and ten thousand people, which would pretty much be our capacity.  We think it might sell out this year.

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CC: It seems like there is a lot of on-campus buzz pertaining to LIB here in San Diego, and I think a lot of that is because of the credibility of The Do Lab, but also due to the acts you guys booked.  Can you comment on how you decided on Pretty Lights and Thievery Corporation to headline?

JF: We wanted to book a diverse lineup, but really in the end we wanted to book music that we listen to and that our friends like.  We’ve been fans of Pretty Lights for years now, trying to do a show, and this year it finally worked out so we’re pretty excited about that.  And with Thievery Corperation, same kind of a thing–we actually met those guys at Burning Man a couple of years ago and we’ve been talking about doing a show together ever since.  So this year was the year and it finally worked out.

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CC: I noticed on the Lightning In A Bottle website, that there is a huge focus on sustainability– what kind of unique or innovative programs are you implementing this year to make the smallest impact possible on the festival grounds?

JF: All of the normal stuff–recylcling, using biodiesel fuels for our generators, a free water campaign aimed at eliminating plastic water bottles at the festival.  A lot of festivals sell water as a source of profit, but for us we’re more concerned with people not having to buy plastic water bottles.  That’s the basic stuff, we really want to educate people about the small things that they can do at home, which is why we’re providing a whole range of workshops to learn how to grow your own garden, or grow your own medicine…to even growing/creating your own cleaning supplies.  All small changes that people can implement to make a big difference.

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CC: Lastly, for anyone interested in attending Lightning In A Bottle, what’s the one underlying theme or mission of the festival and The Do Lab as an organization that you’d like festival attendees to be aware of?

JF: I would just tell people to come prepared for an experience that is unlike anything else–Come with an open heart and an open mind to meet new amazing people, learn some new things, and have a great time while doing it.

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Buy Tickets to Lightning In A Bottle:

 

 

 

Show Review: Biffy Clyro at Belly Up Tavern

Biffy Clyro at Belly Up, presented by FM 94.9

USD Radio’s Chuck Cartwright checks out NME’s “Best Live Act”, Biffy Clyro.  The band headlined an installment of the FM 94.9 “About the Music” concert series at The Belly Up Tavern in Solana Beach on 4/14.

By: Chuck Cartwright

From the very first note that came from Simon Neil’s guitar, it was clear that Biffy Clyro’s sound was too big for The Belly Up Tavern.  Rock anthems typically reserved for stadiums full of adoring fans in Europe, were being played in the sleepy seaside community of Solona Beach for roughly 1,000 lucky patrons.

As I entered the venue, a few folks looking for conversation casually asked if I knew anything about the band who we paid a measly $6 to see.  I told them they were one of the biggest bands in Europe, and how they have over half of a million fans on Facebook, and how they’re currently revered as one of the most energetic touring acts in the world.  How was is possible that there were people in attendance who didn’t even know how privileged they were to see such an acclaimed band, in such an intimate venue?

Luckily everyone understood once the three haggard-looking musicians, hailing from Kilamarnock, Scotland took the stage.  They launched into “The Captain”, the first track off of their new album and never quit for over an hour and a half.  Whenever the crowd began to applaud at the perceived conclusion of a track, the band would catapult into a guitar solo or rock ‘n roll infused jam until they were ready to call it quits.

The three Scots made enough noise to fill a stadium, and quite frankly I think some of the folks at The Belly Up were taken aback by the rapturous musical assault by the ragtag trio.

By the time Biffy Clyro finally relented, I wasn’t sure there was still a roof on The Belly Up Tavern.  My ears rang for at least an hour, all the way back to San Diego.

Once I got home, I added myself to the band’s hundreds of millions of Facebook fans, and continued to ponder why they aren’t more popular on this side of the pond.  Why weren’t they playing the main stage at Coachella this weekend, instead of in Solona Beach?

With the energy they displayed, I don’t think Biffy Clyro will be playing small venues in the U.S. for much longer.  It’s just not possible–the beast needs to be let out of its cage.

Only Revolutions - Biffy Clyro

Biffy Clyro- "Only Revolutions"

 

Interview: The Hood Internet

The Hood Internet

Five Minutes with The Hood Internet’s Steve Reidell:

USD Radio caught up with The Hood Internet’s Steve Reidell before his performance at UCSD’s The Loft on February 22nd.  Who would have thought Dead Prez worked well with Grizzly Bear, or Rusko and Soulja Boy… even DMX and The XX?

By: Jessica Fahey and Marisa Marlowe

So Hood Internet’s 4th Birthday’s coming around the corner?  How’d you get started?

Close to 4 years, yea.  We weren’t really touring when it first started, it was a web only project.  We were in a pop, Beach Boy influenced band together in Chicago, making tracks on the side for fun. It sort of started to take off when the internet grabbed a hold of it, and a friend recommended playing local shows, like some DJ sets, and we had no idea what we were doing.  Our first couple shows were really a mess, but then we started getting a hold of things.

How would you describe your music to someone that’s never listened to it before?

First I would describe the idea of what a mash up is so they can understand the basic concept, and then from there there’s a lot of rap, hip- hop, indie rock, electronic stuff… it’s basically a mess.  And then I would wait for their reaction.

You have an eclectic mix of songs, how do you go about deciding which songs to mash up?

Really stuff that’s in our music collection, stuff that we are listening to, stuff that we’re  feeling.  Sometimes its a little loco and go farther back and grab a Cindi Lauper song that matches up or something. But a lot of it is trying to lend an ear to songs that match together in terms of melody or vocal cadence, just really throwing stuff against the wall.  At this point we’ve made over 400 tracks and some of them are good.

Thinking back to early childhood what was your first experience with music? What song or band do you remember most as a child?

My parents listened to a lot of The Beatles . I also remember really liking the song “Africa” by Toto.  I loved Phil Collins and I still really love Phil Collins. And then I played in band in elementary school- I played the trumpet. In high school I kinda got tired of that and started playing the guitar and bass guitar.  Then I moved on from there and have always been interested in making songs and all kinds of music.

What’s next?

There is touring throughout the rest of the year for sure. It’s something that happens on a lot of the weekends…this is sort of a rare Tuesday night show. Hopefully its not laid back.  The next big thing for us is that we’re making a record that’s not a mash up at all; it’s sort of all of our own original music and production.  We’re working with a bunch of different people from a bunch of different bands- none of whom I’m going to say anything about since its not done- but that’s coming out in the fall.  Me and aaron work in different states now, he lives in north Carolina and I still live in Chicago but the internet makes it easy to work.”