February 5, 2012

Album Review: The Moth and the Flame

The Moth and the Flame's self-titled debut album

 

The Moth and the Flame
The Moth and the Flame
Unsigned
November 11, 2011

If such a thing still exists, The Moth and the Flame (TMATF) is art rock. From the carefully crafted tracks on their six-track, self-titled, debut album to the 20-foot-tall anthropomorphic giants used in promoting their symbolic 11/11/11 album release, the Provo, Utah rockers demonstrate a keen eye and ear for aesthetics.

The album’s Radiohead-meets shoegazer sound comes courtesy of Brandon Robbins and Mark Garbett. “How We Woke Up” serves as a proper introduction to TMATF’s flavor. Breathy vocals periodically click and snap into life as Garbett’s keys crescendo before sliding back into oblivion. This recipe keeps the album’s continuity, each track blending effortlessly into the next.

A track not to be missed, “Dreamer” reaches higher than all the rest, boldly using reverb to emphasize its message. Pensive keys reminiscent of M83 develop the album’s atmospheric sound in a new way, meshing perfectly with “Dreamer”’s fellow tracks.

Consistent with TMATF’s artsy character, the high-production value of the “Lullaby II” video commits TMFTF to good art. Filmed on the frozen and precarious-looking surface of Utah Lake, Robbins and Garbett send a melancholy message into a all-too-fitting wilderness. Additionally, the group expresses a commitment to the album’s art on the frontpage of their website, claiming it is “not an afterthought but rather an integral part of the process”. It is for this reason, they say, that the album is only available in physical form.

In a word, TMATF is about feeling. From the emotions in their lyrics to the simple pleasure of receiving an album in the mail, Robbins and Garbett’s album offers a 45-minute reminder of how to appreciate life’s joys.

WEBSITE: http://howwewokeup.com/

TWITTER: https://twitter.com/themoththeflame

FACEBOOK: http://www.facebook.com/pages/The-Moth-the-Flame/192359697452716

Interview: Paul Meany of MUTEMATH

Paul Meany of MUTEMATH. Photo by Tom Roth

USD Radio’s Tom “Wonderboy” Roth recently spoke with Paul Meany, front man of New Orleans rock group MUTEMATH to discuss the band’s most recent album, upcoming tour, and what drummer Darren King carries around in his little black bag.

Tom Roth: In March 2008, you told The Orange County Register that your goal for MUTEMATH’s second album, Armistice, was to “embarrass” the first record. Did you accomplish that goal?
Paul Meany: The jury is out on that. I’m not sure we did. I think the second record is certainly as good as the first record but, yeah, we didn’t blow it outta the water. We tried though. We had to tell ourselves we were. I do think they are two great records though.

 

TR: If we could go back to an earlier MUTEMATH song, what were the circumstances under which you wrote “OK”?
PM: I think at the time, I was just trying to find a new beginning. I think me and Darren had just started writing songs together and experimenting and that was certainly one of the first songs we had put together. I think a lot of the songs on the EP were about recovering from losses and trying to cope with falling on your face and getting back up which is certainly where I was at that point.

 

TR: MUTEMATH has been fortunate enough to enjoy exposure through a variety of popular outlets including television and movies, notably the Twilight and Transformers series as well as spots on Discovery Channel and ESPN. How has this been for the band?
PM: I will say the Twilight one was certainly the most surprising. I don’t think anyone was sure what was gonna happen with a song on the first Twilight soundtrack. First of all, it paid for our third record so we’ve been thankful for that. We probably wouldn’t have gotten to another record without having that. But yeah, what a phenomenon that became.

 

TR: From the opening of Odd Soul, it’s apparent this record is different than MUTEMATH’s previous releases. How did this new sound develop?
PM: From a culmination of a few things. First of all, I think losing our previous guitarist was one factor so it’s kind of strange that it became a more guitar-led or guitar-heavy type of record. To some degree it makes sense because the guitar became a new instrument for the record. We went ahead and did the record as a three-piece and had a lot of fun with picking up a guitar… all of us did. Roy certainly did most of it. I think also, partly in our mind, was to make a record that was very stage-ready which we had never done in the past. That wasn’t something we were thinking about. I think we kind of evaluated what we thought we did well as a band and what we didn’t…. Our show is pretty high-dynamic and just a couple slow songs so we wanted a record that had that same ratio and it kinda fell suit into that. I certainly feel like this record, Odd Soul, is our most cohesive – certainly our most high-spirited – record and I really enjoy it. I think it’ll certainly stand the test of time and with this record, I would probably lay claim to embarrassing the previous two. I think it’s our best one.

 

TR: Were the sounds on Odd Soul in any way influenced by the music of MUTEMATH’s hometown, New Orleans?
PM: Absolutely. I think that’s always been an influence to our band. We certainly just let ourselves go there more on this record. We indulged a bit more on that. You have to remember our band started out as an electronic experiment. It was just Darren and me and a lot of the music was “built” in samplers and drum machines. It started there and kinda ended there in a way too even when we record the instruments. But over time, and you can probably see the evolution from each record, it just kinda has become a little more organic. The formula hasn’t changed too much. Song ideas for us still start in samplers and drum machines. It’s usually how we get ideas off the ground but how we develop those is a little more informed by what we do in our show; what we’ve started to find we naturally do live anyway. We spent a lot of time on the last couple of records, reinterpreting them to work for us live or feel right when it’s just four guys on stage. We just decided to invest that effort on the front end this time, going into the record so that when we’re done with the record it’s actually more ready to happen for us on stage.

 

TR: Which tracks on Odd Soul are you especially proud of and which are you most excited to share with fans?
PM: Certainly “Prytania” is the top for all of us. We love that track. I love “Cavalries”. I think “Cavalries” is probably one of the most exciting songs we’ve ever done. “In No Time” is certainly a special song for this band… “All Or Nothing”…. “Blood Pressure” and “Allies” are the two songs we started with when we were writing new material. Once we got those two songs, we kinda built the rest of the record on that. So those were pretty pivotal tracks as well.

 

TR: Your shows are notable for the on-stage energy. How do you keep that up while on tour?
PM: I don’t really know. I could probably make up some non-sensical answer that’d probably be more interesting but the truth is, we just get on stage, we just play, and react. That’s it.

 

TR: San Diego is lucky enough to have two opportunities to catch MUTEMATH in the near future at Wrex the Halls Ball with Blink 182, Social Distortion, Everlast, Pennywise, Switchfoot, and DMC on December 11 and at 4th and B on February 3. What can fans expect to see?
PM: For 4th and B, we will have started the new show that we’re developing right now. We are creating what I will call an “electric sanctuary” that we are going to take out on the road. We are going to be playing the whole record – the whole new record – on this upcoming tour. Every track, along with some old stuff, but we are definitely going to play the whole new record and put it in this environment of an interactive 3D approach. It’s as vague as that. We’re raising the stakes on our show. That’s what we’re trying to do right now. I’m really excited about next year. It’s a must-see, if I shall plug [laughs].

 

TR: Armed with a new set of songs and a new guitarist, what have the differences been between the Odd Soul Tour and MUTEMATH’s previous tours?
PM: Just the songs. I think Todd (the new guitarist) has fit in very well. He’s a great musician. He’s very talented, so he just kinda learned the music, and stepped right in and has been covering it all. We’ve been playing mainly new music and it’s just been really fun to rebuild chemistry with the band and the new songs and enjoy the new sparks that are happening around the music right now.

 

TR: I saw you in Portland, OR in 2007 while you were on the Flesh and Bones Electric Fun Tour. Did Darren duct tape his monitors to his head every night and did he ever complain about getting the tape out of his hair?
PM: Yes. He’s always done that. He quickly learned that he can’t use duct tape. He has to use gaff tape. Gaff tape is a little more forgiving and usually by the end of the night, he’s sweated it all off. There were a couple of nights where he ran out of gaff tape and someone at the venue would have a roll of duct tape and he’d use that. That was always the kind of thing where he’d be sitting in the bus, kinda pouting, knowing that he’d have to rip this off and it was gonna be really ugly. Those were painful enough to teach him to always have gaff tape. If you ever wonder what Darren is carrying in around in his little computer bag he’s always got with him, there’s certainly a roll of gaff tape in there.

For tickets to MUTEMATH’s upcoming San Diego shows, click here or here

 

Album Review: Day Escape EP by Air Dubai

Air Dubai's new EP, Day Escape

 

By Tom “Wonder Boy” Roth

Day Escape
Air Dubai
Label: unsigned
Released October 25, 2011

The last time Air Dubai checked in, it was March 28. The release of Remixtape was a reminder to those familiar (and an introduction for those who weren’t) that Denver-based rap-rockers Air Dubai were still on the scene, pumping out material. Remixtape took tracks from their full-length album, October 2010’s Wonder Age, and gave them a fresh spin.

Now, just seven months later, the band is out and about with a new six track EP, Day Escape. Starting with promotional track “Soul & Body”, Day Escape sets itself up for a jazzy groove-session, as the bumping clap-track backs Julian Thomas’ vocals. As Thomas belts the “soul, soul, and body” chorus, Air Dubai’s six other members clock in with a guitar/up-down drum/synth combo.

On the whole, the EP is a strong showing, more listenable than the outsourced feeling of the group’s last release, Remixtape. Bluesy guitar bits on “Summer Solstice” and “Still Searching” are plenty of fun as is the horn track on “Magazines”. The sinister, creeping progression on that track keeps things interesting.

With Day Escape, Air Dubai adds to their resume a respectable collection of tracks. However, their accomplishments in terms of quality are mitigated by the lack of exploration. Overly similar sounds on Day Escape and Wonder Age could be problematic for the band. On the other hand, this could be the release that gets them noticed. With a substantiated repertoire, Air Dubai could be on the verge of something big. National tour? Signing with a label? Keep an eye open. Air Dubai is poised to take off.

Biffy Clyro Breaks Through Across the Pond

Biffy Clyro's latest release, "Only Revolutions," proves that the band has potential to make it big in the States.

After two certified gold albums in the United Kingdom, the forces behind Scottish rock band Biffy Clyro have launched a new campaign to break through to a bigger audience in America. With marketing and promotions in full swing, the band’s latest album, Only Revolutions, has certainly found the praise of Internet bloggers, radio DJs and the average listener alike. In many ways, it seems that this current album will be the one that breaks Biffy Clyro through to the United States on a much wider level – for a multitude of reasons.

The overall final product of Only Revolutions is one that provides a solid mix of rock-oriented music. Some songs provide aggressive rock riffs while others, such as the band’s current single, “Many of Horror,” present simple heartfelt lyrics that transition to symphonic anthems. The songs are relatable and playful, yet filled with incredible amounts of emotion. First-time listeners will draw similarities to fellow UK band Snow Patrol, yet will undoubtedly find the distinct edge that makes Biffy Clyro unique. For their newest album, Biffy Clyro worked once again with producer Garth Richardson at the famed Ocean Way studios in Los Angeles. Many of the lyrics seem to come from guitarist Simon Neil’s perspectives on relationships.

Without a doubt, Biffy Clyro has become a band known for their high-energy live shows. As a three-piece band, the group performs without the additional support of other touring members – a remarkable feat considering the musical output of the band. A certainly unique aspect of Biffy Clyro is the fact that all three members sing on recordings. While Simon acts as the lead vocalist, brothers James Johnston and Ben Johnston provide harmonies that add to the fullness of the individual songs. The acclaimed live shows and popularity across the Atlantic have led to the band being an opener for acts such as Muse, The Red Hot Chili Peppers, The Rolling Stones and The Who. When they band headlines their own shows, they’ve booked venues as large as 10,000 people. However, when the band played in San Diego last week, they served as the opener for Manchester Orchestra at the House of Blues. This division in venue size from one side of the pond to the other is absolutely amazing.

If one is to look at musical trends throughout the history of rock music certain things can become increasingly clear – popularity in the United Kingdom can be a great predictor of the success of a band in the United States. Classic acts such as The Beatles and modern success stories such as Kings of Leon all found their initial fame across the Atlantic. With the continued push of Biffy Clyro, I’m sure that they’ll break through and achieve the same amount of success that the band has had in England.

Biffy Clyro Rocks the House of Blues

Biffy Clyro

Take Me Home: The Influences of After Midnight Project

IMG_0469

After Midnight Project @ HOB SD (Photo BC)

It’s without a doubt that one of the rising stars on the alternative rock scene this year has been Los Angeles based band, After Midnight Project. Their single “Take Me Home” has remained on Billboard’s Alt Top 40 for seventeen weeks and still remains toward close to its peak position. It easy to say that with the constant touring continued by the band and the increase in airplay, the song will remain on the charts well into the new year. The success found by this band is no small feat considering the fact that After Midnight Project is such a relatively young band. Not only have the guys been together for just a few years, but their August 11th release Let’s Build Something To Break is their first release on a major label.

Prior to their set opening for Papa Roach last week at The House of Blues, I had the chance to sit down with the band and talk about their experiences touring, their influences, and current musical interests as a group. Needless to say, the responses I received for all their questions didn’t seem like the responses I’d receive from a band who spent time opening for bands such as 30 Seconds to Mars, Breaking Benjamin, Trapt. For example, lead singer Jason Evigan describes the band’s sound as “Muse, Nine Inch Nails, Incubus, and Elliott Smith getting drunk at a wine taster. Elegant and raw.” I certainly understand the grouping of the first three, but the addition of Elliott Smith seems to contradict the other examples listed before. Surprisingly, the group pulls the sound off, mixing hostility and aggression with stripped down, heart-on-your-sleeve, anthemic rock.

This past summer, the band played a stint on the Vans Warped Tour, a rite of passage for many groups in the scene. I asked the guys what the experience was like for them traveling with so many like minded individuals and getting to play for thousands of fans. They described it as “exhausting fun” and an “overall very positive experience”. This should be come as no surprise from a band that seems to put interactions with fans as the foremost priority. From the beginning, this group made sure to always listen to what their fans have to say. Be it hanging out with fans after shows or communicating live with them on websites such as Myspace or Twitter, the AMP Army Street Team is group of diehard fans who really seem to help push the band’s success. The overall Warped Tour experience is something the band really enjoyed and they announced to me during the interview that they just signed on to do it again next summer.

The most interesting part of the interview came when I asked the group what music they’re listening to. Given the overall sound of the band, one would assume that they’d be really into some of the more aggressive, cutting edge rock bands on the circuit today. To my surprise, nearly every member of After Midnight Project mentioned bands that shocked me. Hidden beneath the Korn and Paramore were more obscure artists such as Bonobo and Edward Sharpe and the Magnetic Zeroes, as well the equally unexpected John Mayer.

After the interview, I went back and listened to the bands music again. I certainly heard why the band was chosen to open that night for Papa Roach, but hidden beneath everything, I found Elliott Smith. On “Take Me Home” Jason’s pleading vocals and words convey recognition of a relationship that is falling apart yet he remains unable to cut the cord. Anyone familiar with Elliott Smith could listen to the song and think that he originally wrote the lyrics, as they match so flawlessly to Smith’s final year of life. It then occurred to me that this band really is unique. Their sound, though easily written off by some as being part of “that” genre, comes from artistic expression of multiple influences, and for that reason, the band will continue to succeed.

Audio Interview:

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Myspace

After Midnight Project

Atticus Tour: Old Favorites and New Starters

Right before Thanksgiving break I was able to see the Atticus Tour at nearby SOMA. Although all bands there were great, two in particular grabbed a hold of my attention. When I found out that these bands were touring together I made the necessary connections to interview them before their set at the concert.

Let's Get It

Let's Get It

My night began by spending some time with the opening act, a band I believe will soon be huge on the scene, Let’s Get It. Now some of you may be asking: “Let’s get what?” but allow me to explain. Let’s Get it is an up and coming band that is looking to create a new sound. This group’s influences range from synth-based pop to symphony driven, hard rock, but this range of sound is expected out of a band who says that their car ride to San Diego was filled with a mix of The Black Dahlia Murder and Eminem. The good news is that this combination works perfectly and each of their songs sound surprisingly unique. This band’s music will get you pumped and get you ready to party; it just carries an energy that makes you want to move. This energy carries with them when you see them perform and it makes for an all-out awesome show. If you’re tired of looking for a new band to listen, only to find the same sound over and over, you can finally stop search. Let’s Get It is a band that I would highly suggest you check out or catch on their next tour in early 2010.

Blessthefall

Blessthefall

As I’m walking to class in Zombie mode on a Monday morning, I scroll through my iPod looking for the band that will get me ready and make my walk from the Vistas a somewhat enjoyable experience. I realize that I often end up only to the B’s and choose the band Blessthefall . Ever since I got their new album Witness I can’t help but stop on their name every time I’m looking through my music.

After catching up with Let’s Get It, I was able to spend a few minutes with Blessthefall’s bassist Jared Warth to talk about what has changed with their band since the release of their first album His Last Walk and what created the greatness behind their new album Witness. Since their first album, they had undergone a lead singer change from Craig Mabbitt to new singer Beau Bokan. Jared explained to me that Beau brings a whole new, positive energy to the band that shows up on Witness. He also told me bands such as Killswitch Engage, Thrice, and Story of the Year inspired the style and sound of Witness, so if you like these guys you should check out the band’s most recent album. The combination of bands like these, mixed with Blessthefall’s original style creates an awesome listening experience. They are bringing it hot and heavy and have an intensity that few bands can match.

If you are looking to check Blessthefall out, Jared suggested to get a feel of their music by checking out these songs of their new album: “What’s Left of Me”, “Witness”, and, for a more pop sound, “Hey Baby, Here’s That Song You Wanted.” I would suggest those who like to listen to hardcore music to check these guys out and try to catch them when they are on tour again. Overall, I had a great night, catching up with a long time favorite, and learning more about one of the newest and most promising bands out there today.

The Alexlist, “Summer is Here”

album-everyone-deserves-music

In keeping with the summer vibe, here are a few of my favorite summer songs, not necessarily about summer, but remind me of summer. Perfect for the beach or just cruisin’ in the car, ranging in the styles of reggae to nerd-rock.

“The Heinrich Maneuver” – Interpol

“Santeria” – Sublime

“Hot Summer Nights (Won’t Last Forever)!” – The Aquabats

“Feelin’ Free” – Michael Franti and Spearhead

“I’ll Be Here Awhile (Acoustic)” – 311

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“Bare Essentials” April 9th by Jeff Trial

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Aerials-System Of A Down
Zero-Smashing Pumpkins
Evil-Interpol
Strip My Mind- Red Hot Chili Peppers
Wish You Were Here-Incubus
Make You Feel Better- Red Hot Chili Peppers
Double Bass- Gorillaz
All These Things That I’ve Done- The Killers
Le Disko- Shiny Toy Guns
Hotel Yorba- White Strips

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Welcome To The Jungle- Guns n’ Roses
So Far Away- Staind
Dark Of The Matinée- Franz Ferdinand
Like A Stone- Audioslave
Runaway- Linkin Park
Easily- Red Hot Chili Peppers
Only- Nine Inch Nails
Cabron- Red Hot Chili Peppers
Savior -Red Hot Chili Peppers
12-51- The Strokes