May 18, 2012

Raveonettes 11.12 show @ Belly Up

Sharin Foo of the Raveonettes

Sharin Foo of the Raveonettes

Danish rock duo The Raveonettes stopped at Solano Beach’s Belly Up Thursday. The band is on tour for their new album In and Out of Control [Vice] released in early October. Its found both critical and chart success. After their stop in Solano Beach, the Raveonettes have two remaining shows in Southern California before heading back to Denmark for a few dates.

The group brought their blend of harmonies, fuzz noise and solid rock ‘n roll to the show. Sune Rose Wagner and Sharin Foo shared the vocal duties, utilizing a good balance in harmonies between the male and female lead singers, respectively. The Raveonettes pulled off a usage of heavier, fuzz rock guitar noise that could’ve become washed out but was able to create a multi-layered instrumental backing to the duo’s vocals.  The sound worked well in Belly-Up, and had great bass and depth but never became too overbearing or drowned out. Their light show was an excellent addition to the music. Their darker sound built up to 50’s esque pop themed choruses. The light show occasionally featured strobbing white lights during these choruses, during which the band was entirely eclipsed by the light except for silhouettes.

Unfortunately, the crowd took a bit away from the show. Some rowdier, inattentive crowd members got in an argument which warranted security jostling up listeners. While this mostly just affected the opening bands, the crowd was relatively noisy at the start of the Raveonettes set. Luckily their large sound and heavy guitars did well to combat that. Overall, they put on a stellar set that but was a good exposition of their sound. I was definitely impressed.
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Raveonettes’ MySpace
Official Site

Interview with Alex Church of Sea Wolf

Alex Church of SeaWolf

Alex Church of SeaWolf

Alex Church began Sea Wolf as a vehicle for his own song-writing after a stint with his earlier band Irving. After a recent show at Solano Beach’s Belly Up!, Alex spoke with us about NYU film school, recording in Conor Oberst/Mike Mogis’ backyard studio, being included on the Twilight: New Moon sound track and Sea Wolf’s recent tour.
Full Interview:

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“Wicked Blood”

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Sea Wolf on MySpace
Check out Sea Wolf’s most recent album White Water, White Bloom [Dangerbird]

All Those Expectations: An Interview with Peter, Bjorn and John’s John Erikkson

Peter, Bjorn & John

Peter, Bjorn & John

You would have been either living on a desolate humanless island somewhere in the South Pacific or found a way onto one of those Space Tourism flights with astronauts to have escaped the Swine Flu like spreading of Peter, Bjorn & John’s “Young Folks”. And those fortunate enough to listen to the track’s Writer’s Block album know it was just as excellent. Fortunately for us, PB&J’s John Erikkson informed us what rocketing to fame has been like, how the group began, and some tidbits on the Swedish scene.

PB&J got their start ten years ago in the Swedish capital city of Stockholm.  At the time, Peter was studying Film, Bjorn was working within schools and John had been a classical, orchestral percussionist–including an eight year stint in a percussion ensemble. The three cross paths, and began collaborating. “We met during a traditional Swedish party. We have a lot of traditional parties, where you eat crayfish with drink and punch. It was a party at Bjorn’s place. I talked to Bjorn about how we liked the same groups, same with Peter. They didn’t have a band at the time. So we tried to play later that November, we started rehearsing,” John said.

From there the band got after it in Stockholm, releasing a self-titled album in 2002 and its 2005 follow-up, Falling Out. “In the beginning we all listened to a record by the Lilys, a record called Better Can’t Make Your Life Better. And we all liked that a lot so we tried to do something like that. Over the years, we sort of found our own sound. We listen to different kinds of music, so I think it’s a mix between our sounds. It took a while to get that group feeling.”

Down the road, PB&J’s international success would lead them to become a sort of ambassador to the Swedish music scene. Beforehand they were involved with that scene, working with Swedish groups like the Shout Out Louds—who’s Ted Malmros directed the “Young Folks” video. “Stockholm is the capital city of Sweden, so you meet other people that play in other bands all the time. I don’t think we had heard much outside of where we played. You always pickup the bands that you see around you. You see a band like Abba, The Hives, able to make it outside of Sweden  and you get some hope that it could be possible for you. I think it was inspiring. A lot of bands from Sweden, in some ways, do well outside of Sweden. I don’t know why.”

In 2006, the group released their album Writer’s Block. The album went on to ridiculous international reception, including end of the year album awards from both Pitchfork and Rolling Stone. Its whistling hit “Young Folks” — synonymous with popular music in 2006–did even better with top marks from NME and Pitchfork. While the band knew they had made a solid album, they had no idea of the success around the bend. “You always like to do the best possible record. But we didn’t know what would happen. When we finished “Young Folks”, we sort of thought that was our best song. We played it at a disco the same day as we had mixed it and like five people came up and asked what band it was. That was the first time people were really interested. We thought that song was special, but we never expected the things that happened after that.”

“Young Folks” took off, as did the band that made it. It became the number one song of 2007 on the iTunes store.  Though it added expectations for the band, they gladly accepted the new attention. “It’s like our virus, our Swine flu that we created, spreading all over. But people, by getting that virus, they may be interested in checking out the next virus. It’s been a good thing. It’s like a business card for us. It made us able to [play music] full time. We do this for real now. We love it”.

And Kanye West loved it as well. After using the song in a mix, he ended up playing with PB&J at a music festival in Sweden in 2007. “It was a festival in Sweden called Way Out West. We played in the afternoon at five, then Kanye came with his private jet around midnight. So we had a good amount to drink, so when we got on stage we were pretty drunk but pretty happy.  A-Trak sort of managed it. It was very very improvised, but very very funny.

The act wasn’t PB&J’s final rap collaboration either. Their most recent album Living Thing was remixed into a rap album. “We had talked about doing something. We had a left over song from Living Thing, that was kind of a rap song. Peter tried to do that, but he’s not Sweden’s best rapper. So, we talked about asking Swedish rappers to rap, but we thought ‘No they’re not better than Peter’. Then we started looking for rap artists. But the idea came up from another person that we should do the whole record as a hip-hop version. So, Mick Boogie is a DJ and producer, he managed that. He curated the whole thing. The only thing we did was receive the versions of the songs. It was really amazing to hear what they had done with the song. It was a really good project.”

Living Thing was released this spring. A darker feel characterizes the album. “I think you can see a progression from our third record to our fifth record that we became more and more minimalistic. We’ve taken away stuff for each record. We take away all the unnecessary stuff, and keep it a “left more feeling”. Writer’s block was in a good way dirty and kind of an indie feel. And we wanted to do the same thing but really luxurious. If Writer’s Block was beer, we wanted to make this Champagne.“

Peter, Bjorn and John all have worked on separate projects. Peter released a solo album called The Last Tycoon in April, 2008. Bjorn has produced a number of other artists’ albums. “We all have projects. I have a solo project called Hortlax Cobra. We only released [the material] on vinyl. Bjorn is producing a lot and has a guest band that he plays regularly with. I think its good for us that we make stuff on the side, because then every time we meet again in the studio you have new input.”.

PB&J is headed back on tour this week. They will be traveling with opener Perro Del Mar. The tour brings them to House of Blues in San Diego on November 18th. “The next tour is going to be something special as well.  Going to be a lot of surprise guests at every show. It’s going to be our last tour in the US [for the album].”

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Peter, Bjorn & John’s MySpace
Peter, Bjorn & John’s Official Site

Born 2 Ash: An Interview with Chad VanGaalen

Chad VanGaalen

Chad VanGaalen

Calgary native and experimental indie artist Chad VanGaalen gave us an interview this Thursday. The Sub-Pop label rocker shed some insight on getting his 4-Track recording start in his own bedroom, illustrating his own album artwork and animating his own videos, the tight-knit Canadian music community, and the inspiration between his work. Check out his most recent album Soft Airplane.

Full Interview:

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“City of Electric Light”

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Chad’s self-animated music video for “Molten Light”


Chad VanGaalen – Molten Light
Chad’s MySpace
Chad’s Official Site

HARD Haunted Mansion Review: Friday

I really had no expectations as to what this past Halloween weekend’s HARD Haunted Mansion would lead to. Though after experiencing the several dozen thousand person event staged at USC’s The Shrine (next to a multistory unfinished parking structure which added effect), I can say I was blown away. In “you’ve gotta experience it to understand it” fashion, nothing I’ve done before compared to the event. From the ridiculous range of costumes, to the extremely eclectic nature of the crowd to the unreal multimedia accompaniments of every show, it was simply a one of a kind experience. Check out some of the highlights of Friday Night:

Don Rimini
Don Rimini

Don Rimini:
On the whole, the outdoor stage completely out shined the indoor stage. However, DR’s set inside carried the early night well. While crowd’s were fairly thin inside beforehand, Don got a good number of HARD’ers going before the rest of the nights acts came up.

A-Trak
A-Trak

A-Trak:
A self-described hip-hop based produced, A-Trak’s set was technically flawless. From intros to transitions, his set was simply spot on. Each bit seemed perfectly in place, yet equally energetic. As the first real DJ on the outdoor stage to get the crowd truly geared up, A-Trak deserved considerable credit for setting the stage for the rest of the night.

Bloody Beetroots
Bloody Beetroots

Bloody Beatroots:
In our earlier interview with the BBs, they noted that they came from a punk background–not electro. That completely came through in their unbelievably energetic set. From the opening “WARP 1.9″, the pace and intensity of their set was unmatched through the night. The two have a knack for bringing out the most in the crowd, and they did not disappoint on Friday.

2ManyDJ's
2ManyDJ’s

2ManyDJ’s:
In what I considered the best set of the night, 2ManyDj’s mixed everything from Major Lazer to Michael Jackson to Dolly Parton. Not only was the set without flaw, but the originality of the songs they drew from was ridiculous. As they said in our backstage interview, their key to remixes is taking an already amazing song and making it better. And the songs they drew from were certainly amazing, but just obscure enough to provide a fresh set list. And their mix of “Hey Boy, Hey Girl” was simply electric.

Deadmau5
Deadmau5

Deadmau5:
2ManyDj’s was a tough act to follow, but Deadmau5 did a hell of a job. Moreover, his light show was spectacular. The video display behind also complemented the set excellently. At one point, a high-speed flash slide show of industrial development across the world lit up the crowd and was a meaningful addition to Deadmau5′s beats. All in all, “Ghosts n Stuff” was one of the finer points.

HARD Outdoor Stage
HARD Outdoor Stage

UCSD 1st Annual Freestyle Rap Battle

freestyle
Where:
The Loft at UCSD
When: Thursday, November 12, 2009 / 8:00 PM

The Loft presents the Elements of Hip Hop: Masters of Ceremony, UCSD’s 1st student freestyle battle. Aspiring student freestylers will be competing in a 1 on 1 battle in which each performer will be freestlying their way to the title of being the best freestyler at UCSD. It’s going down on November the 12th so be there to experience a competition and display of lyrical mastery that UCSD has never before seen. Come out on the 12th and support your fellow UCSD students in their quests to become UCSD’s finest!

Check out the Official Site

The Story I Heard: An interview with Blind Pilot’s Ryan Dobrowski

blindpilot

Blind Pilot

Lo-fi, indie folk pop band Blind Pilot stopped at the Casbah Oct. 24 for a show with openers The Low Anthem. After the soundcheck, drummer Ryan Dobrowski gave us an interview to share insight on bike tours down the West Coast, playing in English beach towns and recording along the Columbia river.
Full Interview Audio

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Ryan Dobrowski’s roots trace back to Portland, Oregon where he picked up the sticks very early in life. “My parents got me my first set of drums when I was seven or eight, then put me into drum lessons.  I did that for a number of years, in school bands and everything like that–full kid jazz bands. As nerdy as it was at the time, it was pretty good to learn how to play with other people,” said Ryan.

After parting ways with the elementary musical education, Ryan ventured off to get a collegiate learning in art. “When it came time for college, I was torn between going with the music degree and the art degree because I was really into painting. I decided to go with the art degree. And just play in bands. I was more interested in playing in bands then being a real academic player.  I am the only one in Blind Pilot that didn’t go to music school. The rest of them are all music school drop outs.  I don’t think anyone of them finished. They all made it about three years and left.”

Later down the road, Ryan met guitarist and lead vocalist Israel Nebeker in Eugene, Oregon–home of the University of Oregon.  Shortly after, the two departed Oregon to cross to Atlantic. “ We spent a summer in England playing on street corners and things like that.   We played on the South west coast in Newquay, which is kind of a touristy surf town. So there was people from all over Europe. It was a good party scene. It was great fun at the time.  When we started Blind Pilot a number of years later after floating around with other musical projects that didn’t seem as rewarding, we were trying to get back to that energy when it was just the two of us, some songs, street corners and an open guitar case.”

After returning stateside, the duo took up the moniker Blind Pilot and began a pair of now famous tours in which they biked down the West Coast, beginning in Northern Washington. The first tour ended tragically, when Ryan’s bike was stolen in San Francisco. “ It was pretty unfortunate. You get really attached to your bike after living with it for so long. But it was alright, Israel ended up actually getting his bike back.  He found it on Craig’s List, someone was selling it. We had friends living in San Francisco so they confronted the person and got the bike back for them. My bike was never found. It’s gone forever, at least to me.  But I got another bike, and I love that one.  It was just a thing.  It actually made getting home quite a bit easier, we didn’t have to pack up the bikes or anything.”

Shortly after, Blind Pilot retreated to the town of Astoria, Oregon. The town sits where the Columbia River meets the Pacific Ocean, and for the record, Goonies was filmed there. “It’s a beautiful area. It’s really inspiring. We’re all from that sort of area, not specifically Astoria except for Luke our Bass player  The building we were staying in sat on top of the water, so it would sort of sway when the tide would rise. It really affects you in everything you’re doing, to be out there like that. It’s a gorgeous area to be in. And it’s nice to get out of the city, not as many distractions and you can focus on your work.”

While Israel worked out the melodies and vocals, Ryan got a chance to put his art degree to the test. “We were working on a handful of songs out there. So we would work together, but then once the basic idea for the song was there then Israel would spend a lot of time working on the lyrics.   So in that time I got quite a bit of painting done.   I started doing a lot of paintings out there, and that one became the cover of the album. [The 3 Rounds and a Sound album cover] is almost the exactly the size as it is on the CD cover, about five and a half inches.”

Since the seaside recording, Blind Pilot’s “Go On, Say It” was the iTunes Song of the Week with over 2 million downloads and 3 Rounds and a Sound reached #13 on the Billboard Top Digital Album chart. “Its definitely been a change. It was a bit of a tough transition at first, because we were used to being outside, and just exercising all day feels pretty good compared to sitting in a van or a bus all day and then eating at highway fast food stops. You don’t sleep very well and all sorts of things are hard about touring.  On the flip side, we’re getting to go to a lot more places in a lot shorter amount of time. It’s not the same, but we’re meeting a lot of people out on the road and that’s great. Every time we go to a city we haven’t played, there’s people that have connected with the album and are singing along.”

Blind Pilot has been featured in major festivals such as Sasquatch, Lollapalooza and Outside Lands. “The festival scene is strange. Festivals are fun and have giant headliners on the final nights. They have this real presence as aspiring musicians.  In actuality though, they’re a little overwhelming with the amount of people there. It can be a little frustrating, there are so many bands. At the same time, its great to play these festivals we’ve either been to growing up to see bands we loved. Or just heard a lot about and wanted to see the workings of it all. Its been great in that way.  The gorge is amazing. It’s such a beautiful place. That was a particularly nice festival. We saw some really great shows. The backdrop of the Gorge is amazing on the main stage.”

Just prior to playing at Sasquatch in George, Washington, Blind Pilot went on a European tour featuring dates with Counting Crows and the Hold Steady. “We had just come back from Europe the night before and then left first thing in the morning to get to Sasquatch.  We didn’t know too much about either one of those bands. But like most bands, we wanted to get over to tour Europe and it was a great opportunity to go.  The Counting Crows have been around a long time. I don’t think they’ve had a real hit since the mid nineties, but they have so many fans over in Europe. You know, playing to five to ten thousands people a night in arenas, it was wild.   The arena scene is interesting. It was a good experience, though its not necessarily the best musical experience. A lot of the sound gets lost. And were more interested in having a connection with the audience then selling as many tickets as we possibly can.”

Blind Pilot’s current tour is the last for the 3 Rounds and a Sound album, which wraps up at the Wonder Ballroom in Portland. “We’re done with this tour in December. We’ll probably see friends and family for the rest of December. But this is what we’re doing now, so we don’t want to take too much time off. We’re pretty eager to keep going and get back into the studio. It’s what we love to do. Even though touring is hard I almost prefer it because I am not quite sure what to do with myself in the down time. I’m excited for the next album– to just be creating again. Israel and I really feed off each other creatively in that way. It will be good to be focused on that instead of focused on getting onto the next city, which we’ve been doing for some time  You get ideas, but there’s never really time to flush out the ideas into complete songs. Or complete paintings.”

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www.myspace.com/blindpilot
Official Blind Pilot site

HARD Haunted Mansion: Friday preview

hard_haunted_mansion
HARD Haunted Mansion makes its way to The Shrine this Halloween weekend. The two-day festival starts Friday the 30th and continues on Saturday night. Though HARD summer was shut down early due to the Fire Marshall, this weekends set boasts an even more impressive line-up and has the majority of our DJ’s in eager anticipation. Doors will open both nights at 7pm, with music running from 8pm to 4am. For tickets, check out HARD Haunted Mansion’s site.

FRIDAY:

Deadmau5: Toronto producer Joel Zimmerman has caught crowd attention for both his Mouse headgear and world-class progressive electro music. Deadmau5 found success around the globe, including back-to back Juno Awards for Best Dance Recording of the Year in 2008 & 2009, a 2009 Grammy nomination for Best Remixed Recording and an appearance on Armen van Buuren’s State of Trance radio show. Expect a stellar set from the headliner.
“Faxing Berlin”

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2 Many DJ’s: Belgium based David and Stephen Dewaele have operated under previous monikers of Soulwax and Flying Dewaele Brothers before. The duo made the name famous with the Soulwax release of the “2 Many Dj’s” album, which featured a mix of everything from Salt n Peppa’s “Push It” to Basement Jaxx’s “Where’s Your Head At?”.
“DARE (Soulwax Remix)”

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A-Trak: New York based, Montreal born Alain Macklovtic h has been mixing since he was 12, and was entering competitions alongside Mix Masta Mike and Mister Sinista at 15. He won a world DJ-Battle at 15, and traveled around the world for competitions. Since then, the hip-hop rooted DJ has earned a following and worked with the likes of Kanye.   Check out our USD Radio interview with A-Trak
“Mastered feat. Lupe Fiasco”

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Bloody Beetroots: Italians Bobby Rifo and Tommy Tea have been putting together some of the harder hitting electro out there lately. There punk rock base mixes with house for a unique style. This summer they dropped their “Romborama” album, which will surely get playtime at HARD. Plus they’ll doning their signature masks, that come from “the Italian Commedia dell’Arte, a 16th Century Venetian form of social satire in the theatre”
Check out our USD Radio interview with the Beetroots
“Warp 1.9″ feat. Steve Aoki

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Check out the Official Hard website here

Session One: “Live from the Closet” with Matt Leigh

“Live From The Closet” features musicians from USD and the San Diego area dropping by the twenty square foot box known as “The Closet”, or the radio room.  Check in every monday for a new featured artist. The debut features Matt Leigh

Session One, October 12th: Matt Leigh

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Cruise Control & Matt Leigh (Far Right)
Cruise Control & Matt Leigh (Far Right)

Matt Leigh is a senior Mechanical Engineering major at USD. He hails from Kansas City and is a musician with talents ranging from piano to trumpet to bass. Matt is primarily a jazz musician, and his band Cruise Control reflects his style of contemporary, fusion jazz.
The studio set includes tracks from Cruise Control’s “City Life” and a few of Matt’s own original compositions.
Check out their Official Website
CDBaby: http://www.cdbaby.com/cd/ccontrol
Official Website: http://www.ccjazz.com
MySpace: http://www.myspace.com/ccjazz

“Don’t Throw Me Away” Mumlers album review

mumlers

The Mumlers

The San Jose six piece eclectic blues folk group The Mumlers released their second full length album Don’t Throw Me Away in September.  Recorded and produced at San Francisco’s Ruminator Audio Studio, the record is a pleasant blend of multi-instrumentals, blues, soul and rock that features everything from glockenspiels to organs to harmonica’s. The organic feel of the Mumlers’ work immediately draws comparisons to Beirut. Lead singer Will Sprott’s distant yet poignant vocals complement the well orchestrated instrumental arrangements behind him.  At times, Sprott sounds’ match those of the Walkmen’s Hamilton Leithauser.  The band’s vocals are at their best when Sprott is joined by the backing harmonies of the Mumlers. Raise the Blinds and  Coffin Factory are excellent examples. Lyrically, a simple complexity doesn’t push too hard, but complements the instruments.
The Mumlers’ ability to merge many instruments into a tight, natural and rolling tunes makes for an album that enjoyable from the get go, but has great replay. From organ solos of tracks like 99 Years Ago to whistles littered in Fugitive & Vagabond to the stripped down bass and ukelele of Golden Arm & Black Hand, the variety of Don’t Throw Me Away is impressive and refreshing. Altogether, the album is an stellar second release by a group and a solid contribution to the burgeoning genre of eclectically blended  traditions that Beirut brought to our ears.
“Raise the Blinds”

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“Coffin Factory”

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“Golden Arm & Black Hand”

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The Mumlers begin their fall tour with Black Heart Procession this Saturday in San Diego @ the Casbah
http://www.myspace.com/themumlers
http://www.themumlers.com/