May 18, 2012

Concert Review: Paul Simon

Paul Simon played at SDSU's Viejas Arena on October 22.

By Sarah Pacitti

Paul Simon
SDSU’s Viejas Arena
October 22, 2011

I grew up listening to Paul Simon. I remember singing “Bridge Over Troubled Water” and Kodachrome before I even knew what the term “kodachrome” meant. When I was younger, I danced around the house with his music in the background, I hummed his songs in the shower, I blasted his songs in my car as soon as I could drive. To this day, that really hasn’t changed. There are certain songs that carry special memories along with them, those songs that, as soon as they are played, bring you back to a very specific moment in time. His songs are “those songs” for me.

I went to see Simon and Garfunkel during one of their reunion tours with my parents as a teenager. I remember enjoying it, but also thinking it was just not enough and that I wanted to hear more. So, I made a promise to myself that I would hear this music performed live again. I fulfilled this promise on Saturday, October 22, at SDSU’s Viejas Arena, where Paul Simon performed songs off of his newest album, So Beautiful or So What, as well as many of his classics.

From beginning to end, Simon fully impressed the audience. His band backed him so powerfully – all eight members full of passion and excitement. Looking around at the crowd, it was easy to see that every person had a story behind the songs being played.  His music is nostalgic, moving and legendary. The lyrics always tell a story, and often times are used to help others tell their stories, too.  I have a friend who once told me, “I remember ‘Diamonds on the Souls of Her Shoes,’ was playing on the drive home from the hospital after my younger brother was born.” Another friend once said to me, “My mom and dad always sing ‘You Can Call Me Al’ to one another when we are on long family car rides.” He has helped many of us retell or remember a story.

He strummed through his classics, never missing a beat and engaged with the audience over and over again. His new songs off of So Beautiful or So What were equally as impressive, especially his performance of “Love and Blessings.”

During his encore, Simon performed a cover of The Beatles’ “Here Comes the Sun,” an astounding and truly beautiful rendition of George Harrison’s work. And then came an acoustic performance of  ”The Sound Of Silence,” yet another part of the concert where I watched and listened in total awe. While studying in Florence for a semester, my roommates and I would go to one of the piazzas and listen to a street performer who would play Paul Simon covers. The acoustic songs he would play echoed throughout the streets. On one of our final nights, we listened to him play “The Sound of Silence.” While in the arena, just for a moment, I let Paul Simon help me get back to that memory. And by looks of it, while in that arena, it was clear to see that Paul Simon helped take many back to beautiful little life moments. Afterall, his music always tells a story, and often times, helps us remember our stories, too.

Concert Preview: Jason Aldean

Jason Aldean is playing in Chula Vista on October 28.

 

By Tom Roth

Jason Aldean
Cricket Wireless Amphitheater
Friday, October 28, 2011

In 2005, a star rose in Nashville. With the release of his debut, self-titled record, Jason Aldean began his rapid climb to country-music fame, aided by his single, “Why” which reached the number one spot on the US Country chart.

Since then, Aldean has established himself with three additional studio albums and five number one hits.  In an unexpected pairing with Atlanta rapper, Ludacris, Aldean released a remix of his current hit “Dirt Road Anthem”, a version of which will surely be performed on his upcoming tour stop in San Diego.

The Friday night performance on October 28 at Cricket Wireless Amphitheater in Chula Vista promises to be a lively show with opening acts including Chris Young and husband-wife duo, Thompson Square of “Are You Kiss Me Or Not?” fame. Aldean’s set has already been much anticipated. University of San Diego senior, Yasamin Mahallaty, says “I’ve heard a lot of people around campus talking about the show. The radio stations are promoting it too so I expect it to be well-attended and a lot of fun”.

Entertainment starts at 7:30. Tickets are available here and start at $25 for lawn seating.

Click here to listen to “Dirt Road Anthem”.

Concert Review: Zee Avi

Zee Avi's newest album, Ghostbird

 

By Sarah Pacitti

Zee Avi
UCSD’s The Loft
October 16, 2011

On Sunday October 16, Zee Avi performed at UCSD’s The Loft , marking the final performance of her national tour promoting her newest album, Ghostbird. Soothing, eclectic, powerful and lively, Zee, along with her three band mates made nothing short of beautiful music, using an upright bass, a ukulele, a few guitars,  a triangle, drums,  a tambourine,  a Malaysian sape and…oh yeah, even a kazoo, too.  The very moment Zee entered the stage the crowd went wild, and what a crowd it was…an entirely sold out show, people packed into The Loft from wall to wall.  Now, if you have ever seen Zee Avi you know she is petite, but don’t let her size fool you… her voice and overall presence on stage is amped with spirit, power and lots soul, Her music is as melodic as a lullaby, but is filled with lots of raw emotion and lots of fire.

She started the evening off with one of her older tunes, “Just You and Me” a hit from her past self-titled album. The words were soft and smooth, as she plucked the strings of her ukulele inviting the crowd to chime in with her for the sing-songy refrain. Over and over again, Zee and the band continued to captivate. Her performance of the first released single off of Ghostbird , called “The Book of Morris Johnson”  was happy, fun, spunky, exciting and full of life.

She sang  and danced on stage, at one point transitioning from one of her own tunes directly into an acoustic cover of Foster the People’s “Pumped Up Kicks.” The audience ate this right up, as it was a seamless surprise.  More surprises were well on there way though, as she continued to sing one of her new songs, “Madness,” a song, which, on the album, includes trumpet blares during different parts of the track. However, on tour, Zee made a small tweak, and instead of a trumpeter, she herself buzzed a small kazoo into the microphone. It brightened the faces of many, and brought out a chuckle in most. But, you know what? Zee buzzed into that kazoo and made it work,  really well for that matter. She didn’t hold back, not even once, giving it her all from the very beginning until the very finish and then…into the encore. Zee Avi really knows how to put on a good show,  her music full of life and truly inspirational. Odds are, those San Diego fan who attended her show are probably still humming her tunes, still filled with glee, and maybe, just maybe are out there purchasing kazoos of their very own.

Concert Review: The Rapture

The Rapture at The Glass House on Oct. 7. Photo by Bryan Mojica

 

By Marisa Dodge

The Rapture
The Glass House
Pomona, CA
Friday, October 7, 2011

Founded in New York City, The Rapture is dance-punk band that integrates influences from assorted genres consisting of post-punk, disco, rock, electronica, and acid house. On Friday Oct. 7, The Rapture filled The Glass House in Pomona, CA. The post-punk revival pioneers brought the punk rock, but its associated subculture of the modern day RSVP’ed as well.

The dim atmosphere was lit by deeply colored beams, with the band bright in the light with their variation of instruments that include: the guitar, drums, percussion, keyboards, saxophone, bass guitar, in addition to the vocals. Opening with, “In The Grace Of Your Love,” the saxophone sounded out alone but existed also as incorporation within the collaboration of the multi-instrumental music. The vocals with these instruments created the essence of the band’s name itself. The set list delivered exactly what the crowd was wanting, if the crowd could make sense of it.

As prevailing Rapture fans originated to rock out to punk, likewise punk rockers were ever-present. The music was exhilarating but furthermore stimulated defense mechanisms as sudden stage view impairment presented itself, elbows were raised, feet cleated, and the swaying turned to smack down. Even next to a D-1 college football player, our friendship was temporarily compromised as I was sucker punched, and my right foot left for dead among this crowd. Too many personal fouls can lead to offending feisty fellow music goers and/or ejection. The Rapture (@ITSTHERAPTURE) tweeted, “First fight at a Rapture show I can remember for 8 years, all ages show Pomona, also bouncer pile drived a kid off…” It was on, but my recollection of the post-punk I came to rock to was seemingly off. The impression of this show failed to transpire as an impressionable perspective for attendees getting drop kicked.

Despite the casualties, The Rapture ended the show in an excited encore with,  “How Deep Is Your Love?” and “Sail Away”. The punk-rockers and the punks who got rocked all wanted more all the same. The Rapture’s song poses the inquisition, “How Deep Is Your Love?” To hear your music and see you at your concert, I let myself be bashed, thrashed, clobbered and bothered. My love for Rapture: cavernous.

Concert Review: Portugal. The Man

Portugal. The Man. Photo courtesy of mxdwn.com

By Sarah Pacitti

Portugal. The Man
House of Blues
September 30, 2011

“Bring It On, Man!” On Friday night, September 30, the House of Blues in downtown San Diego added another win to the list, as Portugal. The Man tore up the stage and hyped up the crowd to such epic proportions. Everyone waited in anticipation, and when “The Man” was ready to go… there was no stopping them. Their sound can be best described as, well,  “indescribable.” But, if one had to put it into words, one might say it is the perfect combination of alternative, psychedelic, electronic, the type of rock that will keep you on your toes, with your hands in the air while your heart is racing, causing your ears to tingle from the unbelievable sense of glory they are witnessing…or something along those lines.

Lead vocals and guitarist, John Gourley, along with all band members, appeared to have sent chills up the spines of many audience members, people in the crowd reacting in very different ways to the music; some staring mindlessly at the stage with their jaws dropped, some lip-syncing the words into a fake microphone in front of them while bopping around back and forth to the beat, while others simply…crowd surfed.

Focusing on performing jams from their most current album, In the Mountain In the Cloud, released in July, the band’s performance of their song,  “Got It All (This Can’t Be Living Now)” really did have it all. The words rang out clearly through Gourley’s mic and really resonated well amongst the crowd. “We’ll shake, shake, shake the night away…” went the lyrics, and indeed that is just how the night played out.

Alas, the dreaded time finally came when all the members of the band sincerely thanked the audience, and filed off the stage. Nope, the crowd was not going to take that. They were not ready to accept this goodbye, as they were much too energetic, rambunctious and far too sweaty to call it quits. After lots of cheering, clapping and yelling from the masses, it was then that their favorite men came back to the stage to sing a few favorites to their adoringly energetic and sweaty fans. The ever-favorite “People Say” off past album, The Satanic Satanist, of July 2009, was one of the final songs performed, leaving the band’s performance off on a really high note with San Diego. Thank you, Portugal. The Man. We all asked you to bring it, and man oh man, did you ever.

Concert Review: Tiësto

Tiesto's upcoming album and tour theme, Club Life: Vol 1. Las Vegas

 

By Kathryn Zambon

Tiësto
Valley View Casino Center
October 2, 2011 

Late Sunday night, DJ Tiësto blew the minds of fans that traveled from all over the world to join in on the College Invasion tour. Nineteen-year-old Porter Robinson opened for Tiësto and got the crowd ready to party with his insane mixes that didn’t need a lot of flashing lights to make the listeners get excited. His background portrayed current Tweets written by people in the audience and everyone had a chance to get their Twitter on the big screen showing their hype and love for the infamous Tiësto.

The Valley View Casino Center’s main floor was packed so tightly that if you put your hands in the air, they were going to stay there for the next thirty minutes. A friend of mine made his way to the front and had the time of his life! People were definitely enjoying themselves. Tiësto’s heavy bass and transforming melodies made the crowd jump until there were no soles left on the bottoms of their fuzzy boots. The music blasted through the arena and through the chests of the audience making each person’s heart synchronize to the beat. Confetti littered the sky and explosions of intense fog heightened the climaxes of his more popular songs making the experience even more tantalizing. Some fans even brought 3-D glasses to maximize the experience of the insane light show that had everyone dizzy by the end of the night.

Tiësto commanded the stage with few expressions except an occasional smirk and some fist pumping. The theme of the night was definitely living the “Club Life,” Tiësto’s main phrase and theme of his tour! It was guaranteed that no one went home disappointed. This was not a concert you would want to miss. Hopefully DJ Tiësto comes back to visit San Diego again – and soon!

Concert Review: TV On The Radio

TV On The Radio's newest album, Nine Types of Light

By Sarah Jorgensen

TV On The Radio
San Diego State University Open Air Theatre
September 24, 2011

I have been waiting years to see TV On The Radio play live. Ever since their acclaimed album Return to Cookie Mountain dropped in 2006, I’ve been eager to see them. I savored their buzzy sound, all at once uniquely indie and classic rock and roll at the same time. However, due to conflicts like location (my mother didn’t want me to go see them play in Brooklyn alone at 16 years old) and logistics (I missed their May show because of the 21+ age limit), I missed them time and time again. Finally, though, I was able to see them at SDSU’s Open Air Theatre this past Saturday.

TV On The Radio was preceded by their temporary co-headliners, Arctic Monkeys. It was certainly a strange combination for a show, and the crowd seemed to think so too; it felt as if half the audience left between sets, only to be replaced by new fans. Nevertheless, the half-full theater was enthusiastic for both bands, despite the notable changes in the crowd.

As I expected, TV On The Radio focused heavily on its most recent album, the brilliant Nine Types of Light, which was released this past April. The album treads the fine line between pure rock and roll and the popular synth and effects-ridden tracks of today. Live, the songs just soar. Highlights included the spectacular “Second Song,” which was phenomenal even though singer Tunde Adebimpe didn’t use the falsetto I had so loved on the album. Other highlights from the album included the album’s dreamy single, “Will Do,” and “Repetition.”

The band also included some tracks from their older albums, including the fast-paced opener, “Halfway Home,” and a personal favorite of mine, “Golden Age,” both from their last album, the fantastic and sonic Dear Science. Of course, a TV On The Radio show wouldn’t be complete without its breakout song from Return to Cookie Mountain, “Wolf Like Me.”

I wasn’t sure if I could love this band more than I already did, but their live experience far surpassed my expectations. Sometimes bands that rely heavily on effects are less than impressive at a show, but TV On The Radio’s enthusiastic stage presence and equally passionate music of the night, played in front of an appropriately eccentric backdrop of what seemed to be space nebulas, took me out of this world.

Concert Review: A Day To Remember at Valley View Casino Center

ADTR poured everything into a performance that will not soon be forgotten

Over the past couple years, A Day To Remember have come to San Diego half a dozen times, and I always make sure that I have a ticket to see them. The reason for this is simple: It’s worth it. These guys know how to put on one heck of a live show, and as far as I’m concerned, they have only gotten better with each tour.

My only concern for this concert was that, although they had put on amazing shows at smaller venues and on Warped Tour, I didn’t know how they would handle headlining an arena. Turns out, I had no need to worry, because they can more than handle themselves on a larger scale. This was, without a doubt, my favorite concert of theirs that I have been to.

For their arena gig, ADTR really did it right, incorporating confetti cannons, smoke machines, a toilet-papering of the arena, lead singer Jeremy Mckinnon going through the crowd in a giant bubble, a man in a gorilla mask shooting t-shirts into the crowd, and a finale balloon drop, with another dose of confetti. Although some of this could have become a distraction from their actual music, it never did, as through it all the arena was filled with the voices of fans joining Mckinnon in every word.

The other thing ADTR did right was their set list. It was a mostly even blend of songs from every album, starting off with “Sticks and Bricks” from their most recent CD, What Separates Me From You, and closing out with fan favorite “The Plot To Bomb The Panhandle,” before coming back with an encore consisting of slow jam “If It Means A Lot To You” and, according to Mckinnon, “The motherf—ing jam,” “Downfall Of Us All” (the crowd agreed). The crowd went crazy for song after song, at one point creating the most incredible circle pit I have ever seen, circling around the entire floor area of the arena.

Perhaps the best moment of the concert came right before the band played the last song of their encore, which was when Mckinnon announced that they would be back in August for Warped Tour 2011. The crowd couldn’t have been happier to hear this, because, like me, they know that this band never disappoints. Their shows always leave the crowd hungry for more, delivering an experience that we never want to end. All I can say is, buy a ticket for Warped Tour, because this is one band you just don’t want to miss.

Jeremy Mckinnon is a bubble boy

Valley View Casino Center gets toilet papered

The crowd created the biggest circle pit I've ever seen

Concert: Trey Anastasio

Usually, when given the opportunity to evaluate a band member’s side project, I am less than enthused. With the exception of only a few artists, I typically find side projects to be a diluted form of the musician’s original band with few redeeming qualities of its own beyond the main musician. I am a firm believer that a band cannot survive without all of its members, and usually when I listen to a side or solo project, I truly miss the other original band members.

However, when given the chance to see my favorite living guitarist, Trey Anastasio of Phish, play live in his side project, the Trey Anastasio Band, I could not pass it up. Thankfully, Anastasio did not try to deny or totally move away from Phish within his set, as some solo projects strive to do – instead, Anastasio embraced the Phish legacy and built on it further within the show I saw at The Music Box in Los Angeles on March 4.

TAB has been playing since the late 1990’s with a variety of different members and under different names, but the current line-up is extremely strong. The band features the full instrumental line-up that Phish does: guitar, bass, keyboard and drums, enabling the band, led by Anastasio, to delve into Phish-inspired territory during their lengthier jams. Enhancing this quartet is a horn section featuring a saxophone, trombone and trumpet. The most valuable members of the new band are certainly Jennifer Hartswick on trumpet and Natalie Cressman on trombone, who both also provide excellent, soulful back-up vocals. The new horn section enables the band to tread into more jazz-oriented territory than Anastasio is able to do with Phish.

The show opened with a solo acoustic set by Anastasio entirely featuring Phish songs. It was good to see Anastasio celebrating his work with Phish, and though the set felt very personal, some of the more intricate songs, like “Theme From The Bottom,” felt weak without the other members. Particular highlights included some of the more subdued Phish songs, like “Joy” and “Prince Caspian.”

Once the rest of the band emerged, the show really picked up steam. The end of the first set and parts of the second set and encore included Phish songs like “Sand,” “Gotta Jibboo,” and a particularly excellent “First Tube” that, had I been listening to the audio only, could have passed authentic Phish recordings. Even some of the TAB-exclusive songs like “Money Love and Change,” which featured an especially funky jam, could have fooled me. A very special treat of the show was the Gorillaz cover “Clint Eastwood,” featuring Hartswick’s stunning soulful voice for the verses.

No matter if the song originated within TAB or Phish, Anastasio’s guitar playing was on par with the best Phish shows I’ve seen. He clearly was having a total blast with the very enthusiastic audience- a dynamic that is key to a musician like Anastasio who constantly feeds off the audience’s energy. His guitar lines were constantly creative and his improvisation was dynamic.

Though TAB did cover a fair number of Phish songs, the show still felt very fresh. The jazzier edge added to the band’s original and cover songs created a totally new atmosphere, and when combined with the small, personal setting of The Music Box, it felt like I was seeing a totally different band. The only constant I saw was all I had wanted from the show to begin with: Anastasio’s prolific guitar playing and composition.

Twenty7 Rock The Loft

Twenty7

Twenty7 is a band that is a unique blend of classic rock n roll with some Middle Eastern influences thrown in, and they have recently been playing a lot of shows in L.A., as well as touring overseas in Turkey. Formed in 2007, they have been building buzz over the past few years, collecting praise for their live performances, and recently released their debut E.P. Papatya. Before their set at The Loft at UCSD, I had the chance to sit with the band and find out a little bit more about their musical style, how they got started, and their plans for the future.


First of all, where did the name Twenty7 come from?
Well there are a lot of musicians and important people that died at 27, so we thought it would be cool to kind of pay tribute to that. There are a few other reasons as well, but they’re a little too complicated to get into.

How did you guys meet and form the band?
Well we have a lot of people coming in and out of the band while we play in L.A. Twenty7 as it is now has been together for a few months. The orignial formation came together about three years ago. 

Your sound, rock n roll with Middle Eastern influences, is that a common sound where you’re from?
I wouldn’t say it’s a common sound. With us, everybody has a different musical taste here. We grew up in Turkey listening to American rock and roll, so we wanted to make music with that kind of flavor. We wanted to put some of our own personality in there, with the American rock n roll sound. 

Once you came here from Turkey, you were the house band at Whiskey A Go Go, correct?
Yeah we did that a while ago, back in 2008. 

How did you come across that gig?
What happened was there was a booking lady who had found us through Myspace and asked us to play there. So the first time we played a show there, everybody seemed to like it. So playing there kind of became a habit, somehow we got a regular gig there, playing once a month for 6 months on the 27th of each month. 

What have been some of your favorite places to play, between here and overseas?
Well we play some shows around Turkey and we enjoy that, but we really like Hollywood the best I think. 

I read that you were featured on MTV, how did that happen?
We were touring in Turkey, and people were inviting us to play shows, and one of the shows we did MTV Turkey was there so it just kind of happened. We were just touring Turkey. Things like that just kind of happen to us. Like we got this random call from The Viper Room asking us to do a show. I guess stuff like that is just in the cards for us.

And you’ve actually played a show for 35,000 people, right?
Yeah we were playing a festival and there were about 35-40,000 people there, but with the lighting we couldn’t really see all of the people that were there. So it was kind of a unique way to play to 35,000 people, not being able to see them.

As far as songs go, what do you find yourselves writing about most? Is there any common theme?
There isn’t really a common theme, it’s just whatever is going on, whatever we are feeling at that point in our life, that’s what we write about. Most of the songs are about love, but love…. we don’t really even know what love is. I think our music is just emotional.

And you have a five-song E.P. out right now?
Yeah, we just put out an E.P. called Papatya, which means “daisy.”

Are there any plans for a full-length album in the near future?
Definitely, yes. We are working on it right now, but it’s going to take quite a bit more time. But when we feel ready, we’ll go for it.

Are you on a record label right now or unsigned?
Currently we’re unsigned.

Have you received any interest from labels?
Basically right now we just keep getting gigs, and every show we’re at we book another gig, because people see us and they like us. So right now that’s where we’re at.

That could be because from what I’ve read you put on a really good live show. Do you work hard on putting on a good show, or does your performance just flow?
I think honestly we just love playing music, and that’s what shows. Even in just our practices, that energy is there. It’s something you can’t really explain. For us we just go up there, and it’s like we’re getting naked, showing who we are to the audience.

After seeing them perform live it was easy for me to see why they get so much praise for their live shows. You can just tell that they are genuinely doing music that they absolutely love. Their performance never seemed forced. They have often stated their influences as Pink Floyd and Jimi Hendrix, and while those influences definitely show, the band’s music doesn’t come off as a 60′s rock n roll knock-off band. Their music has its own unique flavor to it, and it just sounds incredible live. Their lead singer, Okan, looked as if he would have fit right in at woodstock, working the stage with classic rock swagger, mugging for the crowd not in a cheesy way, but as a guy that absolutely loves what he’s doing. These guys are genuine rock stars, and it was truly refreshing to see such a passionate, energetic performance from an incredibly talented group of musicians. This show was probably the most fun I’ve had at a show in a while. Their music and energy has a way of seeping into you, so the more excited and energetic they get, you feed off of it and have a better and better time. This band isn’t a rock n roll knock-off, this is the real deal, and I wish these guys the best and can’t wait to see where they go from here.