May 18, 2012

Concert Review: The Kooks

Photo Courtesy of The Kooks

The Kooks played to a packed crowd at the House of Blues on Feb. 29

By Tyler Sivero

The Kooks
House of Blues San Diego
February 29, 2012

Over the years The Kooks have continued to maintain their status as an essential band to anyone who follows the music scene. Their alternative, indie rock style of music varies from fast pace rock, acoustic sing-a-longs to slower ballads. As for me, I have listened to The Kooks for over four years now. This should be noted with the fact that they have been releasing albums since 2005. This was the first time the band had made their way to the states for a tour in almost four years.

This past Wednesday, Feb. 29, I had the opportunity to go to one of their shows at the House of Blues in San Diego. It was my first chance to see a full show where they were the headliners. The opening band, Yawn (ironic name for an opener), did an okay job at getting the crowd hyped with their electronic, MGMT-style music. After their set, it seemed like any excitement that Yawn had produced was increased tenfold as everyone eagerly cheered at any change in house music or lighting in anticipation. When they finally did appear the crowd erupted.

The band opened with “Is It Me,” a song from their new album Junk of the Heart, which was released in September 2011. Even though the song is not necessarily one of their most popular, the crowd happily greeted it with dancing and singing. Any leftover anticipation for some classic Kooks was satisfied with their next fast, upbeat and catchy hit song “Always Where I Need To Be.” The band fed off the energy of the crowd as Luke Pritchard, the lead singer, walked along the speakers at the front of the stage and pointed to specific audience members. For a band that comes all the way from England they put on a highly energetic and entertaining show that left the audience feeling as if they had a connection with the band.

Part of this was in part due to their choice of set list order. Although they are touring in support of their new album, it has become strongly apparent that the new album lacks what the old ones had. However, by making sure to play an oldie without letting too many songs from the new album go by, the band kept the crowd interested. Also, on many songs, the guitarist would take an unexpected solo or the band would repeat a verse more times than on the album’s version. The band did a good job at keeping the chorus and the better-known parts of the song the same while still leaving some room to improvise and show off.

About halfway through the show the band left but Luke stayed on stage. He proceeded to stand on a corner speaker and play “Seaside” one of the bands most acoustic and slow songs. Still, it is definitely a favorite of many and Luke did not disappoint. A spotlight came down and the speakers elevated him to appear as if he was slightly over the front row’s heads. Much later in the show the entire band left the stage. But then after a short but loud period of cheering they returned for an encore. The band started the encore with “The Saboteur,” a new song that was not released on their recent new album. Their hit sing-a-long song followed this from the same album – “Junk of the Heart (Happy)”. This was intensely greeted by the crowd as every one sang along and danced around. Finally, The Kooks wished everyone a good night and thanked the crowd before playing one of their most respected hits “Naïve.”

I had heard The Kooks were a great band to see live and they definitely did not disappoint. The crowd was constantly into the music and there wasn’t a dull moment. The Kooks have continued to produce great music and I look forward to what is to come from them in the future. I would recommend any lover of music to go see one of their shows.

 

Set List:

“Is It Me”

“Always Where I Need To Be”

“Sofa Song”

“Down To The Market”

“Rosie”

“She Moves In Her Own Way”

“Sway”

“Runaway”

“Stormy Weather”

“If Only”

“Tick of Time”

“How’d You Like That”

“Mr. Nice Guy”

“Ooh La”

“Shine On”

“Do You Wanna”

 

-encore-

 

“The Saboteur”

“Junk of The Heart (Happy)”

“Naïve”

New Artist: Mister Lies

Mister Lies' EP, False Astrology, is available for free download on Bandcamp.

By Sarah Jorgensen

I do not often find myself seriously attracted to electronic music – to me it seems to lack depth. Mister Lies’ tracks are the complete opposite. His tracks are simply sublime in their construction, yet perfectly subtle in the very best way through his use of haunting vocals and a wide range of other samples. This mysterious producer has released only a few choice tracks so far, including the EP False Astronomy (which can be found as a free download here) and the track “I Walk,” (a personal favorite of mine) which was just featured today on Pitchfork. This Chicago-based artist is seriously one to watch – I expect big things once he releases a full-length album. Stay updated on his every move by liking him on Facebook.

Concert Preview: O’Brother

Photo courtesy of O'Brother

O'Brother plays this Sunday at the Soda Bar.

O’Brother
Soda Bar, 3615 El Cajon Blvd. San Diego, CA 92104
Sunday, March 4, 8:30 PM

After being together for more than 14 years, O’Brother just dropped their first full album last November.  The band will bring the hard-rock sounds of this album, Garden Window, to San Diego on March 4  at the Soda Bar.

If past performances are any indicator, their live show should be as eclectic as the new album.  On “Poison!” singer/guitarist Tanner Merritt transitions easily from a deep howl over distorted guitars to an ambient crooning over a bass played by a violin bow.  Songs such as “Malum” are reminiscent of an edgier Radiohead mixed with Explosions In The Sky.

But the most bizarre part of this band is that they take two seemingly opposite styles—metal and ambience—and make them work.

Part of the reason for this could be the production help of Manchester Orchestra’s Andy Hull and Robert McDowell. Part could also be the broad range of seasoned veterans with whom they have toured, including Thrice, Cage The Elephant, and The Dear Hunter.  But the main reason for their success is the individual members’ array of influences.

In an interview with The Pitch, Merritt said, “I think bridging between kind of naturally happens because everyone in the band has slightly different musical tastes. It’s pretty broad.  But we try not to make it confusing and try to have a happy medium.”

Garden Window has opened to rave reviews from The Wall Street Journal, CBS Radio, and Alternative Press.

Merritt said that they are very excited by the success of the tour.  “It’s really awesome to see kids coming out to all these shows for us. Just singing along and saying that they really love the new album, that they were waiting on it.”

 

Interview: Pacific Dub

Pacific Dub is finishing up their most recent tour

By Juan Barragan

Recently, USD Radio’s Juan Barragan spoke with Colton Place, Bryce Klemer, and Ryan Naglich, three of the members of Pacific Dub. Pacific Dub, or PDub, is a Reggae-Rock band hailing from the surf capital of the United States, Huntington Beach, California, and they talked about their current tour and upcoming album.

Juan Barragan: You guys have headlined a bunch of shows around the country, what was the experience overall? Was it what you guys expected?

PDub: Yea Absolutely! It was a blast! We think it was way better than we expected actually. We had a lot of fans in every state; it was an overwhelming experience to be able to go places that we have never even been before and still be able to have friends and people there that enjoyed our music. That was probably the biggest gain of the whole tour; just knowing that we have a lot of fans in different places.

Ryan Naglich: One of my highest points is just playing a show in a state that we have never been in, and having fans sing our lyrics. That got to me on stage, I thought it was great.

Juan Barragan: Where did you see that happen?

PDub: We saw that happen in St. Louis, Missouri, Chicago; there wasn’t one show where there wasn’t a group of people singing. For our second nationwide tour it was very positive, it was a blessing. It was a positive increase in our fan base. Tomorrows Bad Seeds was very hospitable on the whole tour. We played some shows with Passafire and those guys were amazing as well. The whole thing was just positive!

 

Juan Barragan: For this tour, is there anything you guys would have done differently?
Bryce Klemer: I wish we had a better guitar case. (Laughs)
Ryan Naglich: That’s definitely going to change.
Colton Place: As far as we are concerned, our whole motto goes, “Progress, not perfection.” That’s what we strive for. We’ve been progressing as much as we like to do, so I don’t think we’d do anything differently.

Juan Barragan: Awesome! So while you guys are driving city to city, you guys spend countless hours on the road. What do you guys do with that time?
PDub: When the people are sleeping, **** (Explicit) gets weird. (Laughs)
Ryan Naglich: I know I like to read books and expand the mind a little bit.
PDub: We all like to read and play air drums, and video games. We’ll do anything that you can think of to keep our minds occupied so that we don’t go insane, because it gets weird after a couple of days in the van.

Juan Barragan: Of course, it’s a lot of miles to drive.
Bryce Klemer: We did a 20 hour drive the other day.

Juan Barragan: That’s brutal! All right, so imagine you can fill up any venue in the country. Which one would you pick?
PDub: (In unison) Red Rocks Amphitheatre in Colorado. It is an outdoor amphitheatre and it holds 15-20 thousand people. It’s like a canyon almost. You talk to most bands, and that’s the most cliché answer they will give, because once they play there they tell you it’s their favorite venue.

Juan Barragan: How many times have you guys played there?
PDub: Never! We’ve never played there. That is like a dream venue for us.

Juan Barragan: You guys have toured with bands like The Dirty Heads and Iration; if you guys could pick any other band to tour with, which band would it be?
PDub: Incubus, 311, or the Red Hot Chili Peppers; those three.
Bryce Klemer: Or Sublime… with Rome.
Ryan Naglich: I’m going to say one more: No Doubt!
PDub: No Doubt would be so sick! I think those five bands would be awesome to tour with. There are so many more though, we couldn’t name them all. You’d have to give us like an hour. Also, (Laughs) Britney Spears, J Beebs… awful!

Juan Barragan: You guys have an album that is expected to come out in the summer. Should fans expect a shift in musical direction or are you guys sticking with the successful Reggae-Rock combination?
PDub: I think we are progressing as a band. As song writers, we are just more into progressing as music writers. It’s a funny thing because you never plan to change your sound as a band. The more you mature, the more you travel, the more influences you gain on the road.
Ryan Naglich: I think all fans that listen to our music when the record comes out are going to like it. It’s going to be a progression. It’s going to be something that a lot of people have not heard before, and that’ll be a good thing.
Colton Place: We are trying to stay as true as we can to the Reggae-Rock roots. This genre is very tight-knit and has a very close group of people. We are always going to be Pacific Dub; we are always going to be PDub and whether we have more rock, this or that, we are going to progress the way we progress and we just hope the fans enjoy every bit of it, because we are having a blast playing the music for them.

Juan Barragan: So far the crowd has enjoyed it! With this new album coming out, obviously the goal of any band is to sell albums. How do you guys feel about the whole music piracy thing?
Colton Chase: (Laughs) Dude, I download music still. As long as people are listening to our music, this is not the 90’s. We are not going to get signed to a label and sell a million records tomorrow. We are going to have to put in our work no matter what, so all we want is a positive increase in our fan base and have more people join us at shows; we like anything that gets our music out. If they download it off of iTunes then great. We have an amazing following with fans that do nothing but download everything off of iTunes. They’ll go buy the CD in person and they’ll still download it off of iTunes. If you’re going to download it, then all we’ll say is thanks for listening to our music. That’s how we feel.

Juan Barragan: Awesome! Now for the final question, it’s a bit of a random one… what’s the most awkward show you’ve played?
Bryce Klemer: We were playing the O.C. Tavern…
Ryan Naglich: No, I have to honestly say that the most awkward show I’ve played is… (Hesitates) I can’t say it, no offense… Solvang, CA, (Laughs) that one restaurant in Solvang, California.
PDub: To give a background, Solvang, California is where our singer, Colton, is from. It’s a little Dutch town. No, it’s more of like a Danish town, 30 minutes north of Santa Barbara. It was a lot of older people, 50 and above. There weren’t a lot of people. It was just people eating dinner and enjoying wine in a nice restaurant. Then we come in with our reggae and rock and we were stoked about it.

Juan Barragan: Were they ready for it?
PDub: (Laughs) No! They were ready for smooth jazz. Towards the end they started enjoying the instruments. I think it definitely had to do with some of the wine that they were drinking. But they definitely enjoyed the performance at the end. It was a cool show but it was kind of awkward because everyone was kind of predominantly in the age range of between 30 and 40.

Juan Barragan: (Laughs) That’s great! Thank you guys very much for doing this interview tonight! Good luck with your two last shows of this tour. I can’t wait to hear the new album when it drops in the summer. 

Concert Preview: Ben Union

Ben Union's new album drops on Feb 26. Photo courtesy of Ben Union

Ben Union
Soda Bar
February 26, 2012

Get down to the Soda Bar in San Diego this Sunday in order to melt your face with the band Ben Union. Out of Seattle, the band is releasing their second album titled The Blessed Union: Volume 1. Come out to watch Ben Union tear up the Soda Bar, and did I mention… melt faces?! This album is being released because one tribute to their musical talent was not enough!

Make it down to the Soda Bar located 3615 El Cajon Blvd this Sunday, Feb. 26 at 8:00pm. Bring your friends along too. All are welcome (over the age of 21 that is). And tickets are only $5. You know you can’t get a better deal for your Sunday evening entertainment.

Come join us to support this band and give them the greatest “San Diego welcome” anyone could ever ask for, and check out their Facebook page and follow them on Tumblr!

Concert Preview: Mat Kearney

Mat Kearney returns to San Diego this Saturday for a show at the House of Blues

By Tom Roth

Mat Kearney
House of Blues
Saturday, February 25, 2012 

Revisting San Diego for the first time since his performance at the House of Blues in Dec. 2011, folk rocker Mat Kearney is set to turn heads. Coming off a successful run of nation-wide performances as part of his current winter tour, Kearney will be promoting his most recent full-length studio release, Young Love, particularly his singles “Hey Mama”, and “Ships in the Night” which currently sits at #34 on Billboard’s Adult Pop chart.

Kearney’s unique blend of genres, from rock to folk to rap, create a listening experience found only rarely. His numerous popular releases, which date back to 2005’s Nothing Left to Lose, combine with multiple sold-out shows on his current tour to forecast an entertaining live performance. Saturday night’s show, assisted by tour partner Robert Francis, promises to offer a night of quality music and fun the all-ages audience.

Tickets are still available at the House of Blues website. Look there for directions to the venue, parking information, and pre and post show entertainment in the historic Gaslamp neighborhood.

Interview: Purling Hiss

Purling Hiss's most recent album, Lounge Lizards

By Shaida Omid and Kayleen Fulton

The Belly Up was sold out before Dr. Dog had even arrived to San Diego. By the time I got there, the crowd was beginning to gravitate toward the stage in anticipation. The band’s new album Be The Void came out that very day and most of the crowd hadn’t heard their new songs yet.


Similar to Delta Spirit, Dr. Dog plays indie alternative rock, so the opening act, Purling Hiss, was something quite unexpected for most of the crowd. Mike Polizze came on and revved up the crowd by jamming harder tunes than most Dr. Dog fans were anticipating that night. The resolutely different genre of music that opened for Dr. Dog presented a precarious duo of Philadelphians, but it was very well-received by the crowd. Mike Polizze was generous enough to offer USDRadio an inside look at the lives that make up this lo-fi, psychedelic, garage rock.
Dr. Dog’s Eric “Teach” Slick, drummer, also joined in for a bit!

Mike Polizze: Purling Hiss’s guitar and vocals
Kiel Everett: Purling Hiss’s Bassist
Mike Sneeringer: Purling Hiss’s Guitarist

Eric “Teach” Slick: Dr. Dog’s drummer

 

Shaida Omid & Kayleen Fulton: How long have you guys been together?
Mike Polizze: A year and a half or so, almost two years.

SO&KF: What were you guys doing before?
MP: I have a band called Birds of Maya that I’ve been in for eight years, but we don’t tour. We’ve put out records on Holy Mountain.

SO&KF: Same kind of music?
MP: Sort of. It branches off. Mike’s been touring for 12 years.
Mike Sneeringer: I’ve been in a bunch of other different bands.

SO&KF: Are you currently in another band?
MS: Technically, I guess I’m in four. But this is, by a huge margin, my main band. Drummers get around. Sometimes it’s hard to find drummers that are willing to tour and can play different styles. I guess I’ve just fallen into knowing a bunch of people who needed drummers and so it’s worked to my advantage in a lot of ways because I’ve been able to continuously tour for a really long time.

SO&KF: How did you guys get together?
MP: It’s really cool that we were all friends first before we started the band. Basically how it started is that because I was in Birds of Maya for so long and they couldn’t tour – the main guy in that band has a wife and kids and a full-time job; music is his hobby. So, in my free time, I did my own thing and ended up just recording stuff and putting it out on small labels and Kurt Vile was the first guy to ask me, ‘Wanna go on tour with me? I’m gonna have a tour.” So Mike and Kiel were my friends and we had time to get a band together and rehearse and get ready for it and take the show on the road. So it’s kind of weird, it’s backwards. Most bands start, play songs, get your friends together, jam in the basement. But I made recordings and put out actual albums on small labels that got a little bit of attention and Kurt Vile, being a friend of mine, invited me on tour, and I got the band together, had time to rehearse and then we’ve been together ever since. And now we’re an exclusive unit, sort of.

SO&KF: So you knew Kurt Vile before?
MP: Yeah, we’re all buddies. KV & the Violators would play shows with Birds of Maya, my other band.

(Eric “Teach” Slick enters)

SO&KF: What cities have you been playing previous to Solana Beach?
MP: Cleveland, Columbus, Lawrence, Kansas.
MS: We didn’t get to play Boulder because it got cancelled cause of the snow.
MP: Yeah, so that got cancelled. It was a great night because we all went to a small town called Julesverg in the northern tip of Colorado and we all got to hang out with these guys and it was a good bonding, sort of, experience.
MS: middle of nowhere town, we, like, took over this dinky motel bar. the locals had no idea what to make of us. Like there were 12 or 15 of us. I guess it was 13 of us total. Rolled in there, into this bar that had had 3 people who all knew each other’s names. It was fun, though.

MP: So then we played Salt Lake City, then Phoenix. Then tomorrow, we’re off because Dr. Dog is playing Conan. Then Santa Ana, L.A. and all up the coast. It’ll be really awesome. Which is good because we’ve had some rough drives up here, we’re driving and Dr. Dog is on a tour bus.

SO&KF: What’s been your favorite city?

MP: Tonight was pretty fun.

MS: Tonight was definitely my favorite show.

SO&KF: Have you gotten to enjoy your stops much?

MS: We actually have a rare day off tomorrow. Like he was saying about the drives, this tour especially, it’s been literally: play, pack up, watch a bit of Dr. Dog and then we’re usually on the road to drive and in some cases, even a couple hours a night towards the next city, get a hotel, wake up, and drive the rest of the way. Even the nights that we’ve stayed in the city, we haven’t gone out. We haven’t even really hung out in the club. We usually, afterwards, we’ve been kinda like ‘okay we have to go get to bed, because tomorrow’s gonna be another long day.’ So tomorrow’s our first day off. Our first intentional day off, I guess. And then Santa Ana’s only an hour and fifteen minutes away. The next couple of days we have a ton of time.
MP: We went to Europe for two weeks and saw nothing.
Kiel Everett: I saw the tip of the Eiffel Tower from the highway.
MP: No! You weren’t there! My friend lives in Paris and we went to that cathedral, it was some cathedral.

MS: (jokingly) Kiel walked around with his eyes closed the whole time.
MP: I tried to get him to come, we kinda parted ways. I have a friend who lives in Paris and he took us to whatever cathedral and we could see the whole city. That was awesome.

SO&KF: So what are you going to see in San Diego?
MS: What did that guy just tell us? Some park, I wrote it down.
SO&KF: Balboa park?
MS: Yeah, that’s it.

SO&KF: (to Mike P.) Is the guitar the first instrument you started playing?

MP: Uh, no, piano was the first. I was young. I started taking lessons when I was 8, but I remember walking up to a piano and playing the beginning part to “Old Time Rock n Roll” by Bob Seger by ear. That’s my earliest memory of playing something by ear and then my parents put me in front of a piano and I played guitar after that, when I was 13. I took like two years of lessons, but I got bored of it. My uncle had an old Sears little practice amp from the 70s and a Kent electric guitar, a student model, I ended up breaking that somehow. And then I got an acoustic guitar, and then an electric. I love playing bass, drums… but the end goal was serving the song. Not being all for one instrument, but using each as a component to create this one, interweaving thing. I got into all the instruments that would make up a rock band. They’re all equally important to me is what I’m getting at. The guitar just ended up being my primary instrument.
MS: When I was in elementary school, in fifth grade, and the high school jazz band came to put on a performance for the elementary kids. You know, I was gonna be a cheerleader, but then I put down my pom-poms and picked up the drumsticks. The drummer of the jazz band was really good, did a solo, and I was like ‘That’s awesome, I wanna play drums.’ I convinced my parents get to me a snare drums, then convinced them to get me one more piece, one more piece, and I was in school band for a little bit then I got kicked out for disciplinary reasons and that’s when I started my first rock n roll band. I had a bad mouth when I was a child and I was shout or say things at inopportune moments… right when the music went quiet. They sent me to home ec. after that. Then I started a band with friends at shows… and that’s how I got started. THere’s a lot to learn when you start actually playing with other people in front of people.
KE: I started playing guitar when I was 15. THe first band that I was in, i played bass. I’m not a bass player. It’s kinda come full circle. I’m a very sloppy guitar/bass player… but it seems to work. I didn’t even own a bass when we started playing as Purling Hiss. Orginally I was supposed to play guitar, but the Kurt Vile tour was looming over us and we didn’t have a bass player.

SO&KF: (to “Teach”) Hey congratulations on your album coming out today.
TS: Yeah, it’s exciting, we’re number 2 on the alternative charts. But Lana Del Ray is number one. We’ve got to usurp her somehow…

SO&KF: Did you study music?
TS: I studied with a lot of different people, but I learned most of things about music from my family. My grandfather was a jazz musician. He played a lot of Billie Holliday, buddy rich, ella fitzgerald. I just learned a lot from him. My dad was a guitar collector, so I grew up around like 20 guitars in the house. There was constantly music happening in the house. I guess I kind of learned by listening and having my dad be like “Rock n Roll! You gotta save the kids!”
MS: I’m actually going to convince him on this tour to give me probably what is the closest thing i’ve had to drum lessons in a while. ‘Cause there are technique things that I never, ever learned.
SO&KF: How did you guys start touring together?
TS: I saw Purling Hiss play at Johnny Brenda’s, a really awesome venue in Philadelphia. They were headlining.

SO&KF: Do you generally choose who you’ll tour with?
TS: Not always. It really depends on what the tour is. So whenever we have a new album out, we have a tour to support it and we can pick whoever we want. As we tour more and more, we’re looking for interesting bills, so sometimes our booking agent will be like ‘Hey, you should take Deer Tick or Here We Go Magic.’ We’re constantly getting suggested these bands. Sometimes it’s beyong our control. But in a situation like this, I saw Purling Hiss play and I was like “Man, it was be so awesome if we could get them to go on tour with us, and all I did was ask our manager and he was like yeah, that’s an awesome idea. and everybody in the band was really psyched about it. It’s the only idea that I’ve ever had that was unanimously agreed on. I was like “Hey! Let’s have a tour where we have ice cream for three meals a day.” Everyone was like “Ehhhh, Eric shut up.”

SO&KF: How often do you tour?
TS: We never stop. We are always on tour. We tour 150-170 days per year. But there are bands who do more than that, which is crazy. In Phish’s heyday, they were playing like 250 shows a year. The band Wye Oak just did 300 dates a year.
MS: Here We Go Magic plays a lot too. Literally, none of them have apartments. They live on tour. When they’re off tour, they have to get hotels or stay with friends for the week.

SO&KF: Were you guys avoiding drinking tonight to be fresh for Conan tomorrow?
TS: Oh, that’s a good question. I mean, I know Tobi drinks whiskey for his throat; it helps him sing. He bruised his trachea four years ago in a boating accident. It’s kind of amazing that he can sing. He almost completely destroyed his trachea. He was on a canoe with his wife and he was sitting under him and they hit a rock – he couldn’t sing for four months.

SO&KF: Have you found yourself being recognized on the street yet?
TS:
I got recognized somewhere really funny recently, I’m trying to remember where it was. I don’t often get recognized on tour, but it’s been happening more and more in Philadelphia, in weird places like the bank or a sub shop.

SO&KF: How are the dynamics of the band working out since some members are newer than others?
TS:
It’s really diplomatic with Dr Dog. We’re all great friends so when we’re working on something together, somebody has an idea, it always gets a shot. So if I’m like “hey, I want to have a screeching hyena on this track… or I want a real hyena and I’m gonna tickle it.” They’ll be like Sure, let’s get the budget, get a hyena. All kidding aside, that is how it works. If anybody has an idea, it get a shot. That’s really the best part about being in the band. We work as a creative unit. Scott or Tobi will write a song, but once it’s in the hands of the band, anything can happen.

Keep your eyes and ears open for some new recordings from Purling Hiss coming up in the next few months, and make sure to catch Dr. Dog’s performance on the Conan show if you haven’t already.  Cheers!

Concert Preview: Le Castle Vania

Le Castle Vania is playing at Voyeur on Feb. 18

Le Castle Vania
Voyeur
February 18, 2012

 

Dylan Eiland, aka Le Castle Vania, is an indie dance/electro DJ and producer hailing from Atlanta. He’s increasingly gaining recognition for both his skilled productions and riotous shows, and is able to create the raw energy of a punk rock concert within a DJ set. Le Castle Vania’s musical style is truly unique, fusing elements of rock music with electronic beats to create intense and aggressive, yet melodic and danceable, tunes. Constantly on tour, he has played at clubs all over the world and has performed at many major events including Escape from Wonderland, Electric Daisy Carnival, Ultra Music Festival, SXSW, and the Identity Festival tour.

 

With an album currently in progress, Le Castle Vania has already released an impressive set of productions and remixes, including the singles “Nobody Gets Out Alive,” “Awake,” and most recently “The Light.” He has also done a killer remix of Kaskade’s “Turn it Down,” and his remixes for Stereoheroes, La Roux and D.I.M. are simply epic.

 

Le Castle Vania is a must-see, whether you like electro, or rock, or both. He is playing Saturday night, Feb. 18, at Voyeur. Tickets are ages 21+. Be sure to check out his Soundcloud website, where he has uploaded all of his music including several free downloads of tracks and mixtapes.

Coachella 2012: Line Up Highlights

Sunset at Coachella 2011. Photo courtesy of Sarah Jorgensen

By Sarah Jorgensen

Southern California’s favorite festival, the Coachella Valley Music and Arts Festival, otherwise known simply as Coachella, dropped its line up a few weeks ago. A few days later, tickets for the festival sold out in only a few hours, even though the 2012 festival is spread over two weekends to accommodate its massive explosion in popularity over the past few years. What could have been so appealing about this line up that nearly 100,000 people (myself included) snapped up these tickets so quickly? A scan of the line up reveals some obvious superstars alongside hidden gems. If you were lucky enough to snag a ticket, here are the top eight artists whose sets you should be most excited to see this year’s Coachella:

 

  1. Bon Iver: Since the band’s self-titled sophomore effort last spring, Bon Iver has been selling out shows all over the country (I should know – I tried to get tickets for two different shows, in two different cities and failed). Justin Vernon’s soulful voice and lyrics will surely translate into a completely heartbreaking set. I know I’ll be in tears when he plays anything off of For Emma, Forever Ago, his debut album.
  2.  Justice: I do not fancy myself an electronic music expert by any means, but even I can tell you that Justice’s hit “D.A.N.C.E.” will definitely be fun to dance to in the Sahara tent at Coachella this year. I love this group’s energetic sound, and I can only picture how this music will translate in such a fantastic setting.
  3. The Head and the Heart: I’m a sucker for any band that prominently features a violin. After seeing this band play at San Diego’s House of Blues last fall, I have not been able to turn off their self-titled debut album. Check out their earnest, folksy tone on “Rivers and Roads,” my personal favorite track on the album, or on “Lost in My Mind,” the catchy, popular single.
  4. GIVERS: Although the days in the Indio desert are notoriously hot, I hope this band plays during the day. Their sunny, reggae-tinged sound is perfect for dancing and is pure fun. It’s not too overwrought with technical effects, so I have a feeling that the band will deliver on the promises the band’s new album In Lights delivers.
  5. Yuck: This band is far from what its name implies. Yuck’s highly distorted, hard-rocking sound is in the same vein as Coachella headliners the Black Keys, with a bit more grunge. Whether that is a good or a bad thing in your book is up to you to decide, but it should be one heck of a high-energy set.
  6. Dr. Dre and Snoop Dogg: I’d venture to say that this pair is what sealed the deal for many people to purchase Coachella tickets.  Not only am I excited to hear them together on songs like “Kush,” but also I’m stoked to see each hopefully perform some solo songs. A rapping and producing legend, tracks from Dr. Dre’s long-rumored and anticipated album Detox could possibly be featured during the set. Guest appearances from some of Dre’s protégés, like Eminem, wouldn’t be out of the question. And, really, who doesn’t want to hear famed middle school dance jam “Drop It Like It’s Hot” live? In the haze of fantastic artists at Coachella, this duo stands to make some music history and close out the weekends in style.
  7. Beirut: I mentioned earlier that I love violins in bands – expand that to include accordions, too. Influenced by all sorts of interesting world music, there are few other bands making music as intriguing or unique as Beirut’s. This indie rock gem of a band definitely deserves high billing it received on this year’s line up.
  8. Radiohead: One band that has always made interesting and unique music is Radiohead. Honestly, this is the band that made me totally committed to going to Coachella this year. Tickets to Radiohead’s regular tours are highly elusive, so an opportunity to see them on a stage as grand as Coachella’s was not an experience I could miss. If you aren’t listening to this revolutionary group already, you should be.

This was a tough list to compile, since the line up this year is absolutely stacked. Honorable mentions include the Black Keys, St. Vincent, Grace Potter and the Nocturnals, Real Estate, Florence + the Machine and many, many more.  If you couldn’t snag a ticket to this year’s Coachella, have little fear – with the rate this year’s two weekend festival sold out, we could land up with a whole month of Coachella next year.

What do you think of this year’s line up? Leave your thoughts in the comments below! Check USDRadio again soon for more coverage leading up to Coachella 2012!

Interview: Lazerbeak of Doomtree

Doomtree plays at Casbah on February 3

 

By Tom Roth

Recently, USD Radio’s Tom Roth spoke with Lazerbeak, DJ for seven-piece Minneapolis rap collective, Doomtree to discuss the group’s current super-tour and new album, No Kings.

Catch Doomtree on Friday, February 3 at San Diego’s Casbah. Tickets available here.

Tom Roth: At first glance, Doomtree can seem a bit dizzying. It’s not every day that a seven-some rap collective enjoys the same success as Doomtree. Did that group dynamic come about on purpose or was it more of a happy accident?
Lazerbeak: It was a little bit of both. We all kind of met up and joined forces a little but after high school and at that point, we are all kind of figuring everything out. The whole “strength in numbers” philosophy kicked in where if one rapper finagled his way into a show he could maybe pull along another one and they could share the 15-20 minute slot… things like that. We could pool resources, we could do jobs. I remember having a ledger and a little cash box and we made $40 from a show, I could go to Best Buy and buy CR-Rs so we could press up some CD’s to sell. It started there. We all knew that we were individual artists but it just made sense and seemed easier to forge a path together. As that continued and got bigger, slowly, it seemed like it never made any sense to stop. We’re fortunate. Now we’re here and we’re enjoying a little bit of success and working real hard and so we can enjoy that together. It’s pretty gratifying.

TR: How is the Doomtree of 2012 different from the Doomtree from back in the day? How’s the material different?
LB: [Laughs] the structure has changed. We’re all nearing 30 now – some of us have hit 30  – and so that’s a lot different than when we were 19-years-old…. Also, we’ve learned a lot. We’ve gotten the opportunity to do a lot of things and we’ve learned from all those things. We’ve tried to implement new ways of making us successful. A lot of that has brought some structure. Dessa and I end up doing a lot of the business stuff . Sims is really good at the merchandise stuff. Everyone has their own little role that they contribute to make this thing run as smoothly as it possibly can. Through experience and all that stuff we’ve been able to fine-tune it to work for us. I certainly wouldn’t recommend it for anyone else but for us, it works.

TR: With so many people contributing to Doomtree, who are the top three influences for the group?
LB: Ooh, ok, three outside artists? Oh man…we all have such different tastes… let me poll the room here [poses questions to the crew]. I’d say maybe Outkast. It’s very rare that all seven of us will agree that we like th same artist but I think Outkast is one of the few that we can always agree on. Outkast for sure. Steely Dan? I think we all like Steely Dan. I don’t know if that’s an influence or not but we all agree on Steely Dan, Outkast, and Kurt Vonnegut, the author. We all ended up reading a fair share of his books when we were younger. I know I did.

TR: Looking at the tour schedule for No Kings, the first thing to notice is that there are 40+ shows on just about as many stops. Got any tactics for keeping your sanity?
LB: [Laughs] I don’t know if we’ve figured that out quite yet. We’re really happy to be out on the west coast. We love it out here and we’ve been fortunate enough to do some shows here. This is some of our biggest markets in the country. For some reason, the west coast has always been really good to us. Starting the tour out and routing it that way, the drives are kind of a grind and we’ve packed it in so that even if we have a day off, its usually a driving day and we do an in-store that night. I think we’re feeling the fatigue a little bit up front since we’re on four or five hours of sleep per night, through the past week. But the longest drives are behind us. I think that’ll help. Honestly, the difference between waking up at 7 and getting in a van, and waking up at 9 and getting in a van is astronomical. We can sleep in a little. We’re trying to take it easy. We’ve been on enough of these now that we know you can’t go hard every night. Just trying to pace ourselves. Even though we’ve all done a lot of tours, this is probably one of the larger ones. Its almost like a three month tour with a week off in the middle. So far no one has gotten super sick. We’re all drinking our Emergen-C’s in the morning and hoping that we make it through. We’re looking forward to the shorter drives. I think tomorrow we have a three hour drive, which is awesome.

TR: With that many shows, are you working in room for improvisation or are all the shows going to be pretty much the same in terms of their format?
LB: Honestly, for the first half of the tour it’ll be changing because it takes us a while to really get into the “perfect set” for that tour. With all the different material that we have, it’s not just the crew songs. Obviously, the set is heavily focused on No Kings but we have probably 30-some releases on Doomtree (Records) and we can play any of those songs so it’s a challenge to pick which ones and to see how the crowd will react to them. It takes some time. Once we get it locked in, we usually don’t stray too far from it because of how long it took us to get it to feel right. It’ll generally be around the same but we’re talking about close to two hours of music with all seven of us on stage every night. It’s a lot. You definitely get the overview of the whole last ten years.

TR: Two weeks ago, you were in Kansas. Now, you’re in Southern California. Have you been surprised by the fan response so far?
LB: I have. Every time you go out, you hope that it’s better than the last and that gives you an indicator that you’re doing something right; that things are growing. We were really hopeful putting this crew record out – really, the first all crew record that we wrote together from start to finish – that that would be reflected in the attendance. And it has. It has, man. I’ve been floored by people’s responses to the new material, how many people are singing along every night, selling out a couple of shows already, and doing an encore every night. It’s things that, when you start out, you don’t really think about or ever even expect. You just work hard. I always think of the tour right after you release the record as the reward for all the hard work you put into making it and promoting it and now, you get to see the positive effects of it. We’re all thrilled to get on stage every night and the response from the people who’ve been coming out has been really uplifting for us.

TR: While No Kings is Doomtree’s fourth release, it’s also your second studio album, a notable feat considering all contributing members are balancing solo/collaborations recordings and performances. With all that going on, what was the recording process like for the album?
LB: It was cool. It was different than I’ve ever done it before. We went to Sims’ wife’s family cabin because we knew there was no way – even though most of us live in the same city, our lives are so scattered – there’s no way you get all seven of us in a room even for two hours at a time anymore. We kind  of had to carve out this five day period where everyone said “Yep. We’re free. We’ll go up there. We’ll turn our phones off and we’ll just do work”. We’d gotten together with the producers before and stacked a lot of beats so we had a stockpile of music up there. I went up there with the rappers and we just holed up and five days later, we had eleven of the twelve songs demoed. At that point, we had no clue what was gonna… we just had these songs. We didn’t if they were really good yet or not. We knew they were different. They felt really weird to us at the time. Over the next couple months, we got to fine tune them, add stuff, and when it all was said and done, I looked back and was like “Wow… 90% of this happened in  those five days and we didn’t  really have any idea what we were getting into”. I don’t know if I’ll ever be able to duplicate that process again… I’d heard stories of that working for other people but I figured there was no way in hell we’d ever get there. Somehow, we pulled it off with this one. I’m really happy about that because from the business side, I had set the release date before we had any songs because we knew we had to release an album in the fourth quarter so it was a very scary task to be like “Well, we gotta come up with something. I hope it rules”. We lucked out. I don’t think I’ll ever do that again, but we lucked out.

It speaks to how good these guys have gotten at working with one another because, like I said, that first crew record – the self-titled album – was compiled over a five year period. Those songs were written mostly by one person who then brought another person on board late or stuff like that. It just showed through all the touring and stuff we’ve been through that the rappers are at a place with each other where they can feed off each other so quickly. I was really impressed to see that.

TR: “Bangarang” makes mention of “rappers/beats/raps” that sound the same. Is that in any way related to the album’s title?
LB: Mike came up with that chorus and then those guys kind of filled in their verses. We didn’t set out like “We’re gonna call the record No Kings, we’re gonna write about this stuff”. It was interesting. We didn’t name the album until a couple of months later… it was interesting that everyone was on the same path of “all equals” and doing it together and all this kind of stuff. I feel like that chorus does sum up a lot of that stuff… we don’t want to be negative about this stuff at all but we want to say “we’re here to level the playing field and we want everyone to come with us”. It’s just kind of a statement that everyone can do this stuff. And everyone should. We shouldn’t have to worry about a hierarchy or anything.

TR: Whose idea was the iTunes flashmob?
LB: That was Dessa’s idea. She’s the creative one when it comes to brainstorming “how do we promote on these really small budgets? How do we become effective and get our name out there?” For us, those first-week sales are kind of our opportunity to get out there and compete a little bit. If we can mobilize our fan base within that first week to really support it, we have an opportunity to show up on those charts with the big guys…. We had seen a couple people get up on those charts and we knew that they [the charts] regenerate every 12 hours or 24 hours but if you can get a burst of sales, you have a shot sometimes,(if there isn’t a huge release out) of getting up there. So we gave it a shot. We sent a letter to our mailing list and we put it out there on our social networks and we said “Hey, if you were thinking about buying the album today, would you please consider buying it at this time from iTunes to see if we can’t do this together”. And sure enough, we cracked the top 10 hip-hop. We got the #9 for a day. Which is awesome.

Honestly, looking into more and more and understanding what these sales mean, it doesn’t mean that we sold 50,000 records or anything like that but for one 12-hour period, we were hanging. And this is the end of November, this is fourth quarter, this is when all the big rap albums come out like Drake and Yelawolf and all these guys and to see our album cover next to theirs even overnight. To wake up and it was still there was pretty awesome…. Huge shout goes to our fans. Everyone says “Oh, our fans are the best” but we’ve always tried to be as transparent as possible when it comes to this stuff, from the business to the music. I think that really worked to our benefit. We put it out there and told them what we were trying to do and they backed it. Pretty awesome.